Dada, Art and Anti-artThames and Hudson, 1978 - 246 pagina's |
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Pagina 95
... artistic career . Indeed , I believe that his most fruitful work was still to come . In Duchamp's work the machine ... artistic materials , to create an artistic statement which would constitute a synthesis between scientific and ...
... artistic career . Indeed , I believe that his most fruitful work was still to come . In Duchamp's work the machine ... artistic materials , to create an artistic statement which would constitute a synthesis between scientific and ...
Pagina 96
... artistic humanism . The Invention of the Useless The Spaniard Picabia , the Frenchman Duchamp and the American Man Ray made up the creative triumvirate which led the New York Dada group . Picabia could be described as the passionate ...
... artistic humanism . The Invention of the Useless The Spaniard Picabia , the Frenchman Duchamp and the American Man Ray made up the creative triumvirate which led the New York Dada group . Picabia could be described as the passionate ...
Pagina 208
... artistic function whatever , only a practical function . Their artistic or anti - artistic content is reduced to nothing after the first shock effect . At this point they could be thrown away , put in some store or returned to their ...
... artistic function whatever , only a practical function . Their artistic or anti - artistic content is reduced to nothing after the first shock effect . At this point they could be thrown away , put in some store or returned to their ...
Inhoudsopgave
The UnCommunity | 122 |
RH and | 128 |
Hanover Dada | 137 |
Copyright | |
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abstract activities already anti-art appeared artistic audience Baader Ball became become began beginning Berlin Breton brought Cabaret Voltaire called chance close collages colours critic Dada Dadaist developed direction drawing elements everything exhibition experience expression fact finally followed France freedom friends gallery gave George German Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco language later less lived looked manifesto Marcel Duchamp Max Ernst meaning mind move movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published remained Richter Schwitters seemed showed side sound taken things took Tristan Tzara true turned wanted whole writes York Zurich