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Pagina 34
This absolute freedom from preconceptions was something quite new in the
history of art . The frailty of human nature guaranteed that such a paradisal
situation could not last . But there was to be a brief moment in which absolute
freedom was ...
This absolute freedom from preconceptions was something quite new in the
history of art . The frailty of human nature guaranteed that such a paradisal
situation could not last . But there was to be a brief moment in which absolute
freedom was ...
Pagina 116
they created inflammatory book - jackets and a new typography which gave to the
individual letter , word or sentence a freedom it had never possessed ( outside
the Futurist and Zurich Dada movements ) since Gutenberg . An inspired dip into
...
they created inflammatory book - jackets and a new typography which gave to the
individual letter , word or sentence a freedom it had never possessed ( outside
the Futurist and Zurich Dada movements ) since Gutenberg . An inspired dip into
...
Pagina 215
Dada was the effective ( and thus historically right ) expression of a mighty surge
of freedom in which all the values of human existence – " the whole range of
human manifestations of life ” , as Baader puts it – were brought into play , and
every ...
Dada was the effective ( and thus historically right ) expression of a mighty surge
of freedom in which all the values of human existence – " the whole range of
human manifestations of life ” , as Baader puts it – were brought into play , and
every ...
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
REPL | 7 |
The Café Odéon | 67 |
New York Dada 19151920 | 81 |
Copyright | |
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Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract activities already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret Voltaire called chance close collages colours critic Dada Dadaist developed direction drawing Duchamp elements everything exhibition experience expression fact finally followed France Franz Jung freedom friends gallery gave George German Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco language later less lived looked manifesto Marcel Max Ernst meaning mind move movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published remained Richter Schwitters seemed showed side sound taken things took Tristan Tzara true turned Tzara wanted whole writes York Zurich