Dada, Art and Anti-artThames and Hudson, 1978 - 246 pagina's |
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Pagina 88
... object , a coal - shovel for example , it was lifted from the limbo of unregarded objects into the living world of works of art : looking at it made it into art ! This deliberate process of ' subjectivization ' of the world of objects ...
... object , a coal - shovel for example , it was lifted from the limbo of unregarded objects into the living world of works of art : looking at it made it into art ! This deliberate process of ' subjectivization ' of the world of objects ...
Pagina 96
... objects . His powers of invention , schooled in every possible technique , were and are employed to transform the useful objects which surround him into useless ones . The destructive impulse , which is expressed in Picabia's continual ...
... objects . His powers of invention , schooled in every possible technique , were and are employed to transform the useful objects which surround him into useless ones . The destructive impulse , which is expressed in Picabia's continual ...
Pagina 211
... of this con- frontation , evoking the sensations of the self when it is face to face with the outside world . But the object must always be of a new and surprising kind if it is to command our attention . For objects we are 211.
... of this con- frontation , evoking the sensations of the self when it is face to face with the outside world . But the object must always be of a new and surprising kind if it is to command our attention . For objects we are 211.
Inhoudsopgave
The UnCommunity | 122 |
RH and | 128 |
Hanover Dada | 137 |
Copyright | |
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abstract activities already anti-art appeared artistic audience Baader Ball became become began beginning Berlin Breton brought Cabaret Voltaire called chance close collages colours critic Dada Dadaist developed direction drawing elements everything exhibition experience expression fact finally followed France freedom friends gallery gave George German Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco language later less lived looked manifesto Marcel Duchamp Max Ernst meaning mind move movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published remained Richter Schwitters seemed showed side sound taken things took Tristan Tzara true turned wanted whole writes York Zurich