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Pagina 148
Sound is only unequivocal in the spoken word . In the written word , the sound
depends on the capacity of the beholder to imagine it . Therefore sound can only
be material for the reciting of poetry and not for the writing of poetry . 3 . Meaning
is ...
Sound is only unequivocal in the spoken word . In the written word , the sound
depends on the capacity of the beholder to imagine it . Therefore sound can only
be material for the reciting of poetry and not for the writing of poetry . 3 . Meaning
is ...
Pagina 149
To make the sound the vehicle of the poem also seems to me logically
inconsistent , because sound is only unequivocal in the spoken , not in the written
word . Sound poetry is only consistent with logic when it is created in actual
performance ...
To make the sound the vehicle of the poem also seems to me logically
inconsistent , because sound is only unequivocal in the spoken , not in the written
word . Sound poetry is only consistent with logic when it is created in actual
performance ...
Pagina 169
... la bouche l ' aide en la bouche Laides dans la bouche Lait dans la bouche Les
dents - là bouche ( Jean - Pierre Brisset ) Others were also fascinated by the
results of letting words sound and allowing the meaning to emerge from the
sound .
... la bouche l ' aide en la bouche Laides dans la bouche Lait dans la bouche Les
dents - là bouche ( Jean - Pierre Brisset ) Others were also fascinated by the
results of letting words sound and allowing the meaning to emerge from the
sound .
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
REPL | 7 |
The Café Odéon | 67 |
New York Dada 19151920 | 81 |
Copyright | |
12 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract activities already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret Voltaire called chance close collages colours critic Dada Dadaist developed direction drawing Duchamp elements everything exhibition experience expression fact finally followed France Franz Jung freedom friends gallery gave George German Grosz hand Hausmann head Huelsenbeck human ideas individual Italy Janco language later less lived looked manifesto Marcel Max Ernst meaning mind move movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published remained Richter Schwitters seemed showed side sound taken things took Tristan Tzara true turned Tzara wanted whole writes York Zurich
Bibliografische gegevens
| Titel | Dada, Art and Anti-art An Abrams art paperback World of art library World of art |
| Auteur | Hans Richter |
| Editie | herdruk |
| Uitgever | Thames and Hudson, 1978 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 3 dec 2009 |
| ISBN | 0810920034, 9780810920033 |
| Lengte | 246 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |