Young Rebels in Contemporary Chinese CinemaHong Kong University Press, 1 sep 2007 - 232 pagina's Has China in the 1980s gone through a phase of "youth rebellion" comparable with that represented in films such as Rebel Without a Cause (1954), Look Back in Anger (1959) or Easy Rider (1969)? The present study is an attempt to look for evidence in the "youth-rebellion" films produced over that period of time that may help to answer the question. In the last twenty years of the twentieth century, the People's Republic of China underwent profound transformations, of which the changing situation of youth was particularly striking. In a society that has traditionally assumed respect for age, the prominence of youth and their new autonomy were conspicuous. A young generation born on the eve of and growing up during the Cultural Revolution (1966–1976) came to depart from the established social norms by the late 1980s and were considered "rebels," standing in an antagonistic relationship with mainstream ideology. Young Rebels in Contemporary Chinese Cinema analyzes the construction of "youth culture" in 1980s China by examining young-rebel films in terms of three areas: products (rock 'n' roll music), belief (or lack of it) and mode of behaviour. The study also contexualizes these films by tracing the relationship between changes in politics and changes in film from the 1950s to the present, with particular reference to the altered portrayal of young adults in the 1980s. |
Inhoudsopgave
Reforming China | 15 |
Chapter 2 | 41 |
Chapter 3 | 77 |
Chapter 4 | 105 |
Chapter 5 | 135 |
Appendix 1 | 155 |
Appendix 2 | 170 |
Notes | 183 |
| 205 | |
| 215 | |
Veelvoorkomende woorden en zinsdelen
advertising angry-young-man attitude audiences Bai Hua Beijing Bastards British Chairman Mao changes Chen Chen Kaige China Chinese cinema Chinese film Chinese society Chinese youth chubanshe Coffee with Sugar Communist Contemporary Chinese context countryside criticism Cui Jian Cultural Revolution debate decade Deng Xiaoping Ding Jian director economic father feel film's filmmakers Half Brine Half Flame heroes Hong Kong Huang Jianxin ideological Jian's Jiang Jiang Wen lifestyle living Long Xiang Mao Zedong Masters of Mischief modern movement Pan Xiao's Party People's political popular music portrayed private entrepreneurs protagonists qingnian rebellion rebels Red Guard relationship revolutionary Rock Kids rock music Samsara scene sexual Shanghai Shekou Shi Ba shot social socialist songs style Tian Zhuangzhuang Tiananmen traditional University Press urban films urban youth Wang Shuo Wu Tianming Xi'an Film Studio Xia Gang Xiao Yellow Earth young young-rebel films youth culture Yuan Zhang Yimou Zhao Zhongguo dianying Zhou
