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society, would sometimes never for a dozen years be out of Kildare! Foxhunting husbands finding no necessity to leave excellent sport on account of a wife's fancy! These stories would make a little collection, best appreciated, perhaps, by women-stories of men thoughtless and indifferent, of careless husbands, and unthought-ofsacrifices. They rose in Lady Cloncurry's delightful talk, darting from subject to subject, like little vivid scenes, each distinct as a picture, sometimes tragic, sometimes amusing. There comes to my memory of the lighter kind, a wonderful little tale of one of those ladies, whose freemasonry of fun and suffering was so quaint and engaging, which contained a question which Lady Cloncurry ever propounded, and which was never solved. This lady was kept on a meagre allowance, every household claim of necessary expenditure received with grumbling and yielded with a grudge. She and her husband were out together walking up a hill towards the sunset, he a step or two before, she as much behind in the steepness of the ascent. My lord took out his handkerchief as he walked, and with it drew out unawares a bundle of notes, which dropped upon the turf at my lady's feet. She picked them up to return them to him; but when she felt the money in her hand a sudden temptation, inspiration, seized her, and in a moment she had thrust them into her own pocket, instead of his! Was it theft? was it a justifiable advantage taken of the windfall? The uses to which with a gasp she mutually appropriated that windfall, were his uses as much as hers. We could never settle the question; but the bush hillside; the man, unconscious, dropping the money which he had refused to his wife's request; the gleam of sudden surprise, doubt, laughter, and greed, how innocent! in the lady's eyes-these remain as real and as amusing a scene as any painter of genre ever drew. To ease the reader's mind, I may add that the notes were humble Irish one-pound notes, not extravagant fives or tens.

Sweet malice and mischief danced in

her bright eyes as she told such tales. She was, perhaps, too indulgent always, in her long experience of life, of the sinner; recognizing that most wonderful of problems, that in those who err most, there is often the most to love. Thus the softening of age mingled with the quick movements and generous impulses of youth. This was almost the only sign of years in her when, at eighty or more, she went from us, the other day-May of last year-into the unknown, a woman of the fairest semblance and the truest heart, one of the distinctive glories, perhaps never sufficiently noted in the clamor of less lovely characteristics, of the country which she loved.

M. OLIPHANT.

From The Churchman.

FAUST, THE NECROMANCER.

In the year 1457 the Latin Psalter was printed separately, in folio, by John Fust and Peter Schaeffer at Mentz, and is the first printed book that bears a date. Five years after, in 1462, Fust and Schaeffer, who seem to have worked together, published a Latin Bible, in two folio volumes. This is the first edition with a date, and is of extreme rarity and value. The copies of this Bible on paper are even more rare than those on vellum, of which last probably more were printed, that they might have the greater resemblance to manuscripts, which the first printers endeavored to imitate as much as possible. M. Lambinet, in his "Recherches sur l'Origine de l'Imprimerie," says: "It is certain that from the year 1463, Fust, Schaeffer, and their partners sold, or exchanged, in Germany, Italy, France, and the most celebrated universities, the great number of books which they had printed, and, whenever they could, sold them as manuscripts. As they were on parchment, and the capital letters illuminated with blue and purple and gold, after the manner of the ancient

manuscripts, he sold them as such at sixty crowns! But those who first purchased copies, comparing them together, soon found that they exactly resembled each other; afterwards they learned that Fust had sold a great number of copies, and had lowered the price, first to forty, and then to twenty, crowns. The fraud being thus discovered, he was pursued by the officers of justice, and forced to fly from Paris and return to Mentz; but not finding himself safe, he again quitted Mentz, and withdrew to Strasburg, where he taught the art to Mentelin." The facility with which Fust, or Faust, thus supplied Bibles for sale is said to have brought upon him the unenviable reputation of being a necromancer, and to have given rise to the well-known story of the Others have devil and Dr. Faustus.

called the truth of this in question, and have remarked that there was a Faustus living at the same period, who wrote a poem, "De Influentia Syderum," which, with a number of other tracts, was printed at Paris "per Guidonem Mercatorem, 1496." His proper name was Publius Faustus Andrelinus Foroliviensis, but he called himself, and

his friends in their letters to him called him, Faustus,

There were many other editions of the Latin Bible executed about the same time by other printers in different places, most or all of whom had learnt the art from the original inventors; and so indefatigable were these early printers, that nearly a hundred editions of the Latin Bible were printed before the end of the fifteenth century, sixteen of which were accompanied by the Postilla, or Notes, of Nicholas de Lyra, a great Flemish commentator, who lived about 1340. Besides these, there were upwards of thirty editions of the Latin Psalter, many of them with commentaries; three editions of the Latin New Testament, with Lyra's Notes; and several editions of the Prophets, the Gospels, or other portions of the sacred volume. The first printed edition of the Bible in any modern language was in the German, supposed to be printed by John Mentelin, a disciple and co-worker of Fust, but without date, place, or printer's name. also printed a German edition of the Scriptures in 1462 in two folio vol

umes.

Fust

Tricks Played by Plants.-Dr. Lundström has recently described some cases of alleged plant mimicry. The cultivated plant known as calendula may in different conditions produce at least three different kinds of fruit. Some have sails and are suited for transportation by the wind. while others have hooks and catch hold of passing animals, but the third kind exhibits a more desperate dodge, for it becomes like a caterpillar! Not that the fruit knows anything about it, but if it be sufficiently like a caterpillar, a bird may eat it by mistake, the indigestible seeds will be subsequently dropped, and so the trick succeeds. The next case is more marvellous. There is a very grace ful wild plant, with beautiful, delicate flowers, known to many as the cow-wheat. Ants are fond of visiting the cow-wheat to feast on a sweet banquet spread out upon the leaves. Dr. Lundström has observed one of these ants, and was surprised to see it making off with one of

saw

the seeds from an open fruit. The ant took the seed home with it. On exploring some ant-nests, the explorer soon that this was not the first cow-wheat seed which had been similarly treated. Many seeds were found in the ant nurseries. The ants did not eat them or destroy them; in fact, when the nest was disturbed the ants saved the seeds along with their brood, for in size, form, color, and weight, even in minute particulars, the seeds in question

resemble ant-cocoons. Once placed among the cocoons, it requires a better than an ant to distinguish the tares from the wheat. In the excitement of flitting, when the nest is disturbed, the mistake is repeated, and the seeds are also saved. The trick is found out some day; for the seeds, like the cocoons, awake out of sleep. The awakening displays the fraud. The seeds are thus supposed to be scattered; they germinate and seem to thrive in the ant-nests.

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I. RECENT SCIENCE. By Prince Kropotkin, Nineteenth Century,
II. THE HEIRS OF KELLIE, .

III. THE SCOTTISH GUARD OF FRANCE,
IV. IN THE LAND OF THE NORTHERNMOST
ESKIMO. By Eivind Astrup, .

Fortnightly Review,

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Blackwood's Magazine,
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From The Nineteenth Century.
RECENT SCIENCE.

BY PRINCE KROPOTKIN.

I.

RONTGEN'S RAYS.

Since the year 1860, when Kirchhoff and Bunsen endowed science with a new method of chemical analysis-the spectral analysis-no scientific discovery has so rapidly conquered a wide popularity as Röntgen's discovery of "the photography of the invisible by means of an invisible light." The wonderful photographs of the bones within the living human body obtained by the Würzburg professor, and their possible applications in medical practice, as well as the mysterious character itself of "invisible rays of light which reveal things concealed from the human eye," | have certainly contributed a great deal to render the discovery so widely popular. But there is in it something more than that: it arms science with a new means of investigation; it opens a new field of research; and it touches upon one of the most vital physical problems of the moment-the relations between electricity and light. This is why the new radiations are so eagerly studied by this time in all centres of learning in Europe and America.

thus offer nothing new. But the dark radiations discovered by Röntgen display many other remarkable properties besides; they are different from the justmentioned ultra-violet rays of the spectrum, and they so widely differ from light altogether as to upset our current notions about light. In fact, they belong to the wide borderland between electricity and light, discovered by Hertz, and only those who have closely watched the latest researches in that domain, made on the lines indicated by Hertz and recently followed by the Hungarian Professor, Philipp Lenard, could foresee the existence of radiations endowed with such remarkable properties.

Among the many sources of light which we have at our disposal, the most interesting of all is undoubtedly the Geissler tube. A glass tube, sealed at both ends after air has been pumped out of it as much as possible, and having at its ends two platinum wires sealed through the glass, which are brought in connection with a source of electricity-this is the simplest form of what is known in physics as a Geissler tube, or, in its perfected and modified forms, as a Hittorf's or a Crookes's tube, or simply as a vacuum tube.' When its two wires are connected with the two poles of an induction coil, or with the two electrodes of an influence electrical machine, the most striking luminous effects are obtained. A

1 Hertz's discoveries were discussed in this review in May, 1892.

2 Geissler was its first inventor and maker; but in the hands of Hittorf, and especially of Crookes, it has been improved and turned to such a splendid account that it often goes under the name of a "Crookes's tube" or a "Hittorf's tube." Geissler used to exhaust it so as to leave in it no more than one three-hundredth part of the air which it contained when it was open. Now, with the Sprengel

That our eye is but a very imperfect optical instrument, which is not affected by most of the vibrations of which a beam of light is composed, and that vibrations to which it is blind affect, nevertheless, the photographic plate, was certainly known long since. We know perfectly well that just as with our ear we perceive only such vibrations of air-molecules as are not slower than thirty and not quicker than thirty thousand per second, so also with our eye we perceive only such waves in the ether as are not shorter than one sixty-air-pump, the exhaustion may be rendered so three thousandth part of an inch, and not longer than twice that length; and we know also that the invisible shorter waves, which appear in a spectrum at its violet end and far beyond it, are precisely those which the photographic plate is most sensitive to. Photography "by means of an invisible light" would

complete as to leave in it only one-millionth part of the air, or even less. It is evident that the tube may also be arranged in such way as to pump out the air (or any other gas it may be filled with) during the experiments themselves. Instead of two platinum wires we can also introduce two or more electrodes, of any shape and of any metal, to vary the experiments. Tesla often used one electrode only.

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