Heroic to avenge it. Were such thoughts The good, I think, remain'd with me: some thoughts In after years have sway'd my inner man With no unwholesome influence; some power Or if you wish to learn how our bard can deal with plain domestic scenes, and unobtrusive character of the true old English stamp, let him discourse of the tradesman and his mate in their retirement,in their comforts, their placid joys, and intense sympathies: Twenty years As a child Were they our next-door neighbours. Hung his good-humour'd partner, all bedight What some call vulgar, but, beyond her peers, From all vulgarity of soul exempt; By niggard thrift, for all the neighbouring poor The scandal of the tea-table. They lived, The old man's heart seem'd broken. From that hour There is nothing forced and unusual here; nothing but truth and natural tenderness. It only required a soul and an observation such as Cowper would have brought to such homely themes, to turn them to the best account for our instruction and bettering both for this and a future state. We see no necessity for anxious selection in order to allow Mr. Moultrie to recommend his own effusions by means of specimens ; but have taken such examples as we find have on the instant attracted the notice of other readers. We accordingly quote one sample more where the poet becomes a landscape painter, the scene being as truthfully conceived as the drawing is simple and the colouring chaste: There is a little town, within short space By architectural craft-save that, indeed, And classic education. At its base As may be seen in England. Far around Grows freshly, and the hedgerow trees present To seek or shun, to hate or fondly love, For miles and miles around. Amidst such scenes Mr. Moultrie's other poems have a miscellaneous character, and cannot be expected to have uniformly the completeness or finish of the principal piece. All of them, however, give proofs that the same unpretending yet adequate genius has been at work upon them,-a genius that is thoroughly imbued with the national character, with that life-like breadth and depth of tone that belong to strength when honestly and cordially put forth. 314 ART. VI.-Letters from the Pyrenees. By T. CLIFTON PARIS. Murray. FEW tourists have the adventure of Mr. Clifton Paris, and perhaps still fewer have the eye, the fancy, and the spirit to give the lively and authentic account of the scenes and the emotions inseparable from climbing the break-neck precipices, threading the giddy paths, and skirting the shelving rocks which look down and lead by one fell swoop to the tremendous yawning gulphs that characterize Alpine regions. This gentleman has indeed a peculiar liking for daring the gateways of the thunder; and he dwells upon the reminiscences of his fearful ascents, and the awful dangers upon the edge of which he trod, as well as of the sublime panoramas which opened up to him, with a gratification that is extraordinary. Most people would turn dizzy at the remembrance of the scenes and the escapes which he describes; that is, supposing they had had the good fortune ever to have returned from the eagle-heights which our tourist tempted. The equanimity, the self-possession, the gladsome minuteness with which he details his adventures will be remarkable to most persons; furnishing ample internal proof that all he narrates is in perfect faithfulness, not only in respect of what he performed, but of what his performance enabled him to scan. In short these letters are a series of sketches that are picturesque and graphic in spite of their particularity, are suggestive of thought while they arrest the eye, and are informing even when the writer's aim may have been merely to fill the imagination. A book of this kind does not require to be analyzed in order to arrive at a critical judgment of its qualities; neither would our readers feel gratified were we to trace with the tourist the exact route which he took, or mark the stages at which he halted. We therefore do not accompany him through France, especially as there does not appear to us anything particularly striking in this part of his journey or story. It is to one or two of his letters from the Pyrenees that we direct notice, to his adventures and encounters amongst the mountains. The ascent to the Lake of the Bear, in the vicinity of Gabas, will afford a good beginning. By the bye Mr. Paris likes to look upon crystal waters, such as issue from the everlasting adamant and the walls of the world. To every eye indeed, that has speculation in it, the limpid translucent lake, the meandering stream, and swelling fountains far removed from the intrusion of all but hermits and hermitage-seekers, must suggest a poetry that abounds with images of primeval purity, enduring beauty, and life's renovation. A waternymph is not a bad creature of the fancy; and sundry of the bathing stations, not very distant from the scenes of our tourist's exploits, may have been chosen for the healing which reaches the body through the channel of mere association of ideas. Perhaps the bathingplace at Biaritz may have had this potency and good fortune; the water being "as clear as the brightest crystal," so that through "its azure depths the eye can discern the white sand that sparkles at the bottom." The nymphs and the swains practise a system that is worthy of notice; for sayeth Mr. Clifton Paris,― This constitutes the famous bathing-place, and here the beau monde of Biaritz are to be seen during the heat of the morning executing their watery purposes; beaux and belles alike, sporting and flirting as though the sea were their native element. The ladies are dressed in the thinnest linen garments, with gigantic hats of straw as a protection from the sun's rays. They are kept in a buoyant position by bladders passed under their arms, while expert bathing-men push them over the bay, by holding their feet with one hand and swimming with the other. But we must not pass by the narrative of the ascent to the Lake of the Bear; our tourist's landlady having informed him on his arrival in the vicinity, that though the object of his curiosity was a long way distant, and the road to it was a ladder of broken rocks, and also that the hour at which he proposed to set out was too late to allow him time to return before sunset, that yet "there is an old man below who is on the point of starting for the lake, and he will no doubt be happy to act as guide, should you wish it.” He was one of a party who were tending a herd of three hundred cattle on the higher mountain-pastures, and he was about to return, with his donkey and a supply of bread, from a foraging excursion to these lower regions. His appearance was agreeable: he wore a highland garb—the round cap of Bearn, a jacket, which he now carried over his shoulders, knee-breeches and leggings, all of the same rough woollen materials, and of a russet-brown colour; long black hair flowed down his back; he was exceedingly deaf, and appeared of extreme age. He said I must make up my mind to sleep in his cabane, and be content with black bread and milk, his only fare; and he warned me of a mist on the morrow that might obstruct my plan of ascending to the lake: I nevertheless joyfully accepted these conditions, being quite ready for any adventure, and equally indifferent as to food and lodging. Accordingly, we sallied forth, at about half-past one, for the wild residence of my "Old Man of the Mountain." After climbing and winding for a considerable space, the labour of the excursion became more exciting. We ascended by a crooked path of rock, through wild furs, and immediately opposite to the Pic du Midi; so you may well imagine the grandeur of the scenery. This famous mountain is bare and precipitous, soaring aloft in a huge cone, and having a notch in its impending crest like a pair of gaping jaws, with which it would seem eager to grasp the heavens. I should think it impossible to find a better point for viewing it than that afforded by |