The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 27
... ( Cambridge : Polity Press , 1992 ) . Unfortunately , Bernstein's earlier work was not fully understood in the United States . He was misread in some places as assigning a lower value to some uses of language , whereas it was to the value ...
... ( Cambridge : Polity Press , 1992 ) . Unfortunately , Bernstein's earlier work was not fully understood in the United States . He was misread in some places as assigning a lower value to some uses of language , whereas it was to the value ...
Pagina 29
... ( Cambridge , MA : MIT Press , 1960 ) , pp . 350-77 . 23 . For an introductory account of some possible functions of poetic metre , also utilizing a systemic functional model , see John Haynes , ' Metre and discourse ' , Language ...
... ( Cambridge , MA : MIT Press , 1960 ) , pp . 350-77 . 23 . For an introductory account of some possible functions of poetic metre , also utilizing a systemic functional model , see John Haynes , ' Metre and discourse ' , Language ...
Pagina 30
... ( Cambridge : Cambridge UP , 1990 ) , pp . 151 and 179-86 . The Germanic versification of Old English poems , and some Middle English poetry such as the thirteenth - century Lazamon's Brut , and the later poems of the Pearl manuscript and ...
... ( Cambridge : Cambridge UP , 1990 ) , pp . 151 and 179-86 . The Germanic versification of Old English poems , and some Middle English poetry such as the thirteenth - century Lazamon's Brut , and the later poems of the Pearl manuscript and ...
Pagina 31
... ( Cambridge , MA : Belknap Press of Harvard UP , 1976 ) , p . 314 . 41. Jerome McGann , Black Riders : The Visible Language of Modernism ( Princeton , NJ : Princeton UP , 1993 ) , p . 81 . 42. A brief summary and excerpt is given in ...
... ( Cambridge , MA : Belknap Press of Harvard UP , 1976 ) , p . 314 . 41. Jerome McGann , Black Riders : The Visible Language of Modernism ( Princeton , NJ : Princeton UP , 1993 ) , p . 81 . 42. A brief summary and excerpt is given in ...
Pagina 32
... ( Cambridge : Cambridge UP , 1969 ) and Line upon Line : An Epigraphical Anthology ( Cambridge : Brooke Crutchley , 1967 ) . 48. Margaret Atwood , Selected Poems II , Poems Selected and New 1976-1986 ( Tor- onto : Toronto UP , 1986 ) , p ...
... ( Cambridge : Cambridge UP , 1969 ) and Line upon Line : An Epigraphical Anthology ( Cambridge : Brooke Crutchley , 1967 ) . 48. Margaret Atwood , Selected Poems II , Poems Selected and New 1976-1986 ( Tor- onto : Toronto UP , 1986 ) , p ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |