The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina iv
... - dc21 Typeset by York House Typographic Ltd Printed and bound in Great Britain by Bookcraft ( Bath ) Ltd , Midsomer Norton 97-48708 CIP Contents Acknowledgements Introduction Part One Contemporary Poetry Chapter 1 Poetic.
... - dc21 Typeset by York House Typographic Ltd Printed and bound in Great Britain by Bookcraft ( Bath ) Ltd , Midsomer Norton 97-48708 CIP Contents Acknowledgements Introduction Part One Contemporary Poetry Chapter 1 Poetic.
Pagina v
... Chapter 1 Poetic Discourse and Genre Chapter 2 The Seen Poem and Its Semiosis Chapter 3 The Semiotic of Art and Music Chapter 4 The Semiotic of the Body Chapter 5 The Semiotic of Language Part Two From Old English to Contemporary Poetry ...
... Chapter 1 Poetic Discourse and Genre Chapter 2 The Seen Poem and Its Semiosis Chapter 3 The Semiotic of Art and Music Chapter 4 The Semiotic of the Body Chapter 5 The Semiotic of Language Part Two From Old English to Contemporary Poetry ...
Pagina 2
... chapter or that , I would suggest that , rather than abandon the text , they turn initially to a chapter whose contents are more compatible with their own immediate interests . True , the first two chapters introduce termi- nology which ...
... chapter or that , I would suggest that , rather than abandon the text , they turn initially to a chapter whose contents are more compatible with their own immediate interests . True , the first two chapters introduce termi- nology which ...
Pagina 3
... Chapter 5 , ' The Semiotic of Language ' , and Chapter 6 , ' The Origin of the English Line ' , offer the most original contributions . The meta - text of endnotes , recorded at the end of each chapter , both records the great ...
... Chapter 5 , ' The Semiotic of Language ' , and Chapter 6 , ' The Origin of the English Line ' , offer the most original contributions . The meta - text of endnotes , recorded at the end of each chapter , both records the great ...
Pagina 7
... and publish them as a ' found poem ' in my book , Collected Poems . Leeks grow best in a warm place with plenty of plant food added . If the publisher is reputable , or if you believe 7 Chapter 1 Poetic Discourse and Genre.
... and publish them as a ' found poem ' in my book , Collected Poems . Leeks grow best in a warm place with plenty of plant food added . If the publisher is reputable , or if you believe 7 Chapter 1 Poetic Discourse and Genre.
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |