The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina v
... to a Literate Subject , 1500-1800 127 Chapter 8 The Reading Subject and the Writing Subject , 1800-1990 143 Epilogue The Postmodern Subject and the New Media Poem 160 Bibliography 167 Index 179 This page intentionally left blank Contents.
... to a Literate Subject , 1500-1800 127 Chapter 8 The Reading Subject and the Writing Subject , 1800-1990 143 Epilogue The Postmodern Subject and the New Media Poem 160 Bibliography 167 Index 179 This page intentionally left blank Contents.
Pagina 3
... Media Poem ' , describes the advent of the immaterial seen poem through late twentieth- century technologies . The answers which I finally give myself to that initial question - what textual features had been lost ? - turned out to ...
... Media Poem ' , describes the advent of the immaterial seen poem through late twentieth- century technologies . The answers which I finally give myself to that initial question - what textual features had been lost ? - turned out to ...
Pagina 8
... ' and constitute , with the practices realized in other media , that which we understand by culture or ' social context'.4 The genres ( as I have used the word initially ) recognized in a culture , 8 The Written Poem.
... ' and constitute , with the practices realized in other media , that which we understand by culture or ' social context'.4 The genres ( as I have used the word initially ) recognized in a culture , 8 The Written Poem.
Pagina 26
... Media , Marjorie Perloff takes the role of lineation one step further , to the text which is lineated but which is not poetry . She writes , the standard print format associated with the word ' poem ' ( justified left margin , ragged ...
... Media , Marjorie Perloff takes the role of lineation one step further , to the text which is lineated but which is not poetry . She writes , the standard print format associated with the word ' poem ' ( justified left margin , ragged ...
Pagina 31
... ' , p . 15 . 46. Marjorie Perloff , Radical Artifice : Writing Poetry in the Age of Media ( Chicago : University of Chicago Press , 1991 ) , p . 100 . 47. John Sparrow , Visible Words : A Study of 31 Poetic Discourse and Genre.
... ' , p . 15 . 46. Marjorie Perloff , Radical Artifice : Writing Poetry in the Age of Media ( Chicago : University of Chicago Press , 1991 ) , p . 100 . 47. John Sparrow , Visible Words : A Study of 31 Poetic Discourse and Genre.
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |