The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 7
... avant - garde poets of the twenties , I could take the leek instructions , rearrange them , and publish them as a ' found poem ' in my book , Collected Poems . Leeks grow best in a warm place with plenty of plant food added . If the ...
... avant - garde poets of the twenties , I could take the leek instructions , rearrange them , and publish them as a ' found poem ' in my book , Collected Poems . Leeks grow best in a warm place with plenty of plant food added . If the ...
Pagina 13
... avant - garde art , including avant - garde poetry , whether it is viewed as a political threat to the established social order by conservative readers , or as a politically disruptive gesture by its producers . Bernstein further ...
... avant - garde art , including avant - garde poetry , whether it is viewed as a political threat to the established social order by conservative readers , or as a politically disruptive gesture by its producers . Bernstein further ...
Pagina 22
... avant - garde art ( though in this century it has quite a different social history from the prose - poem ) . It resists , while it is avant - garde , attempts to incorporate it into the institu- tional body , it is repressed in ...
... avant - garde art ( though in this century it has quite a different social history from the prose - poem ) . It resists , while it is avant - garde , attempts to incorporate it into the institu- tional body , it is repressed in ...
Pagina 23
... avant - garde preoccupations at the beginning of the twentieth century , in which a concern with the materiality of the text was dominant . The shift from line to paragraph does however show a weakening of contemporary classificatory ...
... avant - garde preoccupations at the beginning of the twentieth century , in which a concern with the materiality of the text was dominant . The shift from line to paragraph does however show a weakening of contemporary classificatory ...
Pagina 37
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |