The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 9
... classification ' are comparable to my first principle ( ' one must study the generic practices of production and interpretation through which a text is recognized as an instance of that genre ' - how did I recognize the same words as ...
... classification ' are comparable to my first principle ( ' one must study the generic practices of production and interpretation through which a text is recognized as an instance of that genre ' - how did I recognize the same words as ...
Pagina 12
... classification , for the latter the concept of framing . In summary , ' classification refers to what , framing is concerned with how meanings are to be put together ' ( p . 27 ) . For Bernstein , classification enables us to ...
... classification , for the latter the concept of framing . In summary , ' classification refers to what , framing is concerned with how meanings are to be put together ' ( p . 27 ) . For Bernstein , classification enables us to ...
Pagina 13
... classification , [ which ] comes to have the force of the natural order . ' The degree of insulation between categories can vary , with strong classification associated with strong insulation and weaker classifica- tion with weaker ...
... classification , [ which ] comes to have the force of the natural order . ' The degree of insulation between categories can vary , with strong classification associated with strong insulation and weaker classifica- tion with weaker ...
Pagina 14
... classification rules ) and produces the appropriate student text ( by framing rules ) . The reader of poetry outside the classroom context is however usually oriented primarily to interpretation . For the writer , the rules of ...
... classification rules ) and produces the appropriate student text ( by framing rules ) . The reader of poetry outside the classroom context is however usually oriented primarily to interpretation . For the writer , the rules of ...
Pagina 15
... classification , with new categories of discourse . I want first to concentrate on classification and the possibilities of new categories of written discourse , which means asking the first of my two basic questions ( in the ...
... classification , with new categories of discourse . I want first to concentrate on classification and the possibilities of new categories of written discourse , which means asking the first of my two basic questions ( in the ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |