The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 1
... described above , to my poem's printed layout was a socially situated one , not a ' natural ' or inevit- able one . It ' made sense ' only in a social context in which poems appeared on the page in lines and stanzas , where language ...
... described above , to my poem's printed layout was a socially situated one , not a ' natural ' or inevit- able one . It ' made sense ' only in a social context in which poems appeared on the page in lines and stanzas , where language ...
Pagina 3
... described as particularly helpful . Lineation as the dominant visible sign of poetic discourse is exemplified , and the generic contravention of the prose- poem discussed , with particular reference to the writing of the Russian ...
... described as particularly helpful . Lineation as the dominant visible sign of poetic discourse is exemplified , and the generic contravention of the prose- poem discussed , with particular reference to the writing of the Russian ...
Pagina 10
... described the mutual interdependence of the sign , the interpretant ( in language , the paraphrase ) and the ' known object ' , such that a known object is that which is represented as such , not some absolute reality , independent of ...
... described the mutual interdependence of the sign , the interpretant ( in language , the paraphrase ) and the ' known object ' , such that a known object is that which is represented as such , not some absolute reality , independent of ...
Pagina 11
... described , that is the study of those practices of production and interpretation which will be invoked once the genre has been acknowledged . Indeed the literary theorist Alastair Fowler , mentioned earlier , identifies literary genres ...
... described , that is the study of those practices of production and interpretation which will be invoked once the genre has been acknowledged . Indeed the literary theorist Alastair Fowler , mentioned earlier , identifies literary genres ...
Pagina 20
... described as being less differentiated in written mode from other discourses than was necessarily the case for its contemporary users . Faced with written text not in lines , with the pointing barely discernible , and with the colour ...
... described as being less differentiated in written mode from other discourses than was necessarily the case for its contemporary users . Faced with written text not in lines , with the pointing barely discernible , and with the colour ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |