The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 3
... examples are taken from the twentieth century . Chapter 6 , ' The Origin of the English Line , 1100-1300 ' , discusses the phenomenon of doubly transferred literacy , from Latin to Anglo - Norman to English texts , and includes a ...
... examples are taken from the twentieth century . Chapter 6 , ' The Origin of the English Line , 1100-1300 ' , discusses the phenomenon of doubly transferred literacy , from Latin to Anglo - Norman to English texts , and includes a ...
Pagina 7
... example may be helpful . To my students I hold up a small packet and ask , ' What's this ? ' . They look at the object , note its material features and answer , ' A packet of seeds ' . We look at the words on the back of the packet ...
... example may be helpful . To my students I hold up a small packet and ask , ' What's this ? ' . They look at the object , note its material features and answer , ' A packet of seeds ' . We look at the words on the back of the packet ...
Pagina 8
... example of the seed packet language , differing in meaning ( poten- tially , in twentieth - century Western society ) according to whether it was read within the semiotic ( socially meaningful ) institutions of ' horticulture ' or ...
... example of the seed packet language , differing in meaning ( poten- tially , in twentieth - century Western society ) according to whether it was read within the semiotic ( socially meaningful ) institutions of ' horticulture ' or ...
Pagina 13
... example , the discourses of physics and geography at school , or as I shall discuss , the discourses of poetry and prose ] , ( p . 20 ) - This is a Saussurean - like principle of paradigmatic contrast - value assigned to a sign not by ...
... example , the discourses of physics and geography at school , or as I shall discuss , the discourses of poetry and prose ] , ( p . 20 ) - This is a Saussurean - like principle of paradigmatic contrast - value assigned to a sign not by ...
Pagina 14
... examples , making particular reference to the work of the Russian semiotician , Juri Lotman . Halliday's model of language as social semiotic uses the term ' substance ' for the material / physical realization of language . What he ...
... examples , making particular reference to the work of the Russian semiotician , Juri Lotman . Halliday's model of language as social semiotic uses the term ' substance ' for the material / physical realization of language . What he ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |