The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 3
... functional linguistics , whose way of talking about language first showed me a way of talking about texts as social practices . Chapter 1 , ' Poetic Discourse and Genre ' , discusses the meanings given to genre and discourse in literary ...
... functional linguistics , whose way of talking about language first showed me a way of talking about texts as social practices . Chapter 1 , ' Poetic Discourse and Genre ' , discusses the meanings given to genre and discourse in literary ...
Pagina 8
... function . It should be clear from these initial remarks that I locate this study of the semiosis ( the processes of meaning ) of poetry within the study of the sociology of literature . This is not equivalent to what has been called ...
... function . It should be clear from these initial remarks that I locate this study of the semiosis ( the processes of meaning ) of poetry within the study of the sociology of literature . This is not equivalent to what has been called ...
Pagina 10
... function contextually ' , that is historically and socially . Etymologically , ' genre ' is related to the word ... functions to realize a Field ( subject matter ) of social action : ' talking about semiosis / meaning - making ...
... function contextually ' , that is historically and socially . Etymologically , ' genre ' is related to the word ... functions to realize a Field ( subject matter ) of social action : ' talking about semiosis / meaning - making ...
Pagina 11
... functional : they actively form the experience of each work of literature . If we see The Jew of Malta as a savage farce , our response will not be the same as if we saw it as a tragedy .... 15 These sentiments are similar to those ...
... functional : they actively form the experience of each work of literature . If we see The Jew of Malta as a savage farce , our response will not be the same as if we saw it as a tragedy .... 15 These sentiments are similar to those ...
Pagina 15
... function of transmitting accumulated wisdom . " It was pre- sumably a response to these typical repetitions of poetry , though without overt acknowledgement of their historical contingency , which led Roman Jakobson to formulate his ...
... function of transmitting accumulated wisdom . " It was pre- sumably a response to these typical repetitions of poetry , though without overt acknowledgement of their historical contingency , which led Roman Jakobson to formulate his ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |