The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 2
... relation to poetic discourse also related to the larger social context , especially to changes in that context ? Part Two , Chapters 7 and 8 make some suggestions on these issues . Because my work on the line emerged from questions ...
... relation to poetic discourse also related to the larger social context , especially to changes in that context ? Part Two , Chapters 7 and 8 make some suggestions on these issues . Because my work on the line emerged from questions ...
Pagina 3
... relations of poets to their handwritten and printed texts after the advent of printing , and traces the late transition to a literate subject associated with poetic discourse . Chapter 8 , ' The Reading Subject and the Writing Subject ...
... relations of poets to their handwritten and printed texts after the advent of printing , and traces the late transition to a literate subject associated with poetic discourse . Chapter 8 , ' The Reading Subject and the Writing Subject ...
Pagina 8
... relations and bodily behaviour ) . Of these possibil- ities for realization , language is undoubtably the most complex . Halliday's description of ' language as social semiotic ' means that , in his model of language , semantic acts ...
... relations and bodily behaviour ) . Of these possibil- ities for realization , language is undoubtably the most complex . Halliday's description of ' language as social semiotic ' means that , in his model of language , semantic acts ...
Pagina 9
... relations within the text , or through relations between the text and its environment , including other texts ) , and ... relation of linguistic practice and social practice to be the focus of attention . Jay Lemke , in Textual Politics ...
... relations within the text , or through relations between the text and its environment , including other texts ) , and ... relation of linguistic practice and social practice to be the focus of attention . Jay Lemke , in Textual Politics ...
Pagina 11
... relations ... create boundaries , legitimize boundaries , reproduce boundaries , between different categories of ... relations between categories . ... in this way , power establishes legitimate relations of order . ( P - 19 ) He ...
... relations ... create boundaries , legitimize boundaries , reproduce boundaries , between different categories of ... relations between categories . ... in this way , power establishes legitimate relations of order . ( P - 19 ) He ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |