The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina viii
... words ( a journey into the world of Alzheimer's disease ) ' , from LiNQ ( Literature in North Queensland ) ( 1992 ) . Stephen Mallick , for ' First Kill ' from Overland ( 1993 ) . This poem was published under the pseudonym of Stephen ...
... words ( a journey into the world of Alzheimer's disease ) ' , from LiNQ ( Literature in North Queensland ) ( 1992 ) . Stephen Mallick , for ' First Kill ' from Overland ( 1993 ) . This poem was published under the pseudonym of Stephen ...
Pagina 1
... words were exactly the same on the page . Some textual feature , satisfying to me as the logo / egocentric poet ... word interpreted as most important in its textual context ( whatever any measuring device of loudness , etc. , actually ...
... words were exactly the same on the page . Some textual feature , satisfying to me as the logo / egocentric poet ... word interpreted as most important in its textual context ( whatever any measuring device of loudness , etc. , actually ...
Pagina 2
... words and grammar , was a realization of my writing ( both writing down and composing ) of the poem . Again , such an attitude is historically and socially produced ; it assumes at least that the poet equates composing and writing and ...
... words and grammar , was a realization of my writing ( both writing down and composing ) of the poem . Again , such an attitude is historically and socially produced ; it assumes at least that the poet equates composing and writing and ...
Pagina 7
... word genre has been used in various ways , but initially I want to use it to make two broad generalizations ... words are unsurprising , but so also is the way we read the text . We are unlikely to linger over possible symbolic ...
... word genre has been used in various ways , but initially I want to use it to make two broad generalizations ... words are unsurprising , but so also is the way we read the text . We are unlikely to linger over possible symbolic ...
Pagina 8
... words . with wider resonance ( is it just leeks that need warmth and food ? ) and read its graphic display as meaningful ( note that word ' added ' enacting its meaning in the visual object of the poem - being added on its own line ) ...
... words . with wider resonance ( is it just leeks that need warmth and food ? ) and read its graphic display as meaningful ( note that word ' added ' enacting its meaning in the visual object of the poem - being added on its own line ) ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |