The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 2
... visual display of the poem , that indeed the appearance , as much as the words and grammar , was a realization of my ... language technology . So a second set of general questions emerged : what changes can we describe in sub- jectivity ...
... visual display of the poem , that indeed the appearance , as much as the words and grammar , was a realization of my ... language technology . So a second set of general questions emerged : what changes can we describe in sub- jectivity ...
Pagina 3
Semiotic Conventions from Old to Modern English Rosemary Huisman. indebted to the writing ... language first showed me a way of talking about texts as social practices ... visible sign of poetic discourse is exemplified , and the generic ...
Semiotic Conventions from Old to Modern English Rosemary Huisman. indebted to the writing ... language first showed me a way of talking about texts as social practices ... visible sign of poetic discourse is exemplified , and the generic ...
Pagina 8
... visual object of the poem - being added on its own line ) . And of course ... linguistic ' and which is ' grounded in a sound explanatory theory of verbal ... language as social semiotic , as modelled by the linguist M. A. K. Halliday ...
... visual object of the poem - being added on its own line ) . And of course ... linguistic ' and which is ' grounded in a sound explanatory theory of verbal ... language as social semiotic , as modelled by the linguist M. A. K. Halliday ...
Pagina 15
Semiotic Conventions from Old to Modern English Rosemary Huisman. formation ' and poetry ... language ( the axis of combina- tion ) , we encounter repetitions ... visual line - end probably coincides with some prosodic pattern , such as a ...
Semiotic Conventions from Old to Modern English Rosemary Huisman. formation ' and poetry ... language ( the axis of combina- tion ) , we encounter repetitions ... visual line - end probably coincides with some prosodic pattern , such as a ...
Pagina 17
... visual line is so well established that modern poetry , even when without ... visual line and heard rhythm and rhyme , has been so commonly understood as ... language into lines , into sound units of similar and possibly equal force ...
... visual line is so well established that modern poetry , even when without ... visual line and heard rhythm and rhyme , has been so commonly understood as ... language into lines , into sound units of similar and possibly equal force ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |