The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 2
... meaning - making , have been associated with the line , or with spatial arrange- ment on the page generally ? Part One of this book is primarily concerned with the second issue , and Part Two , Chapter 6 with the first . But studying ...
... meaning - making , have been associated with the line , or with spatial arrange- ment on the page generally ? Part One of this book is primarily concerned with the second issue , and Part Two , Chapter 6 with the first . But studying ...
Pagina 3
... meanings given to genre and discourse in literary , linguistic and cultural studies . The model- ling of social ... meaning - making which have been attributed ( consciously or not ) to the seen poem , making close reference to the ...
... meanings given to genre and discourse in literary , linguistic and cultural studies . The model- ling of social ... meaning - making which have been attributed ( consciously or not ) to the seen poem , making close reference to the ...
Pagina 7
... meaning associated with a text , but yes , there are certainly predictable meanings . This book is specifically concerned with texts which have been called ' poems ' and grouped together in the traditional literary genre ' poetry ' , so ...
... meaning associated with a text , but yes , there are certainly predictable meanings . This book is specifically concerned with texts which have been called ' poems ' and grouped together in the traditional literary genre ' poetry ' , so ...
Pagina 8
... meaning in the visual object of the poem - being added on its own line ) . And of course you may then make your own judgement - bathos ? - a literary type of judgement which is scarcely relevant to horticulture . So the interpretative ...
... meaning in the visual object of the poem - being added on its own line ) . And of course you may then make your own judgement - bathos ? - a literary type of judgement which is scarcely relevant to horticulture . So the interpretative ...
Pagina 9
... meanings of the seed packet instructions will tell me clearly what to do in the garden . I wonder what this poem is supposed to be about ? ) . I will return to a closer discussion of Bernstein's work . It is necessary at this point to ...
... meanings of the seed packet instructions will tell me clearly what to do in the garden . I wonder what this poem is supposed to be about ? ) . I will return to a closer discussion of Bernstein's work . It is necessary at this point to ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |