Fictions of the Sea: Critical Perspectives on the Ocean in British Literature and CultureBernhard Klein Ashgate, 2002 - 237 pagina's This timely collection brings together twelve original essays on the cultural meaning of the sea in British literature and history, from early modern times to the present. Interdisciplinary in conception, it charts metaphorical and material links between the idea of the sea in the cultural imagination and its significance for the social and political history of Britain, offering a fresh analysis of the impact of the ocean on the formation of British cultural identities. Among the cultural and literary artifacts considered are early modern legal treatises on marine boundaries, Renaissance and Romantic poetry, 19th- and 20th-century novels, popular sea songs, recent Hollywood films, as well as a diverse range of historical and critical writings. Writers discussed include Shakespeare, Milton, Coleridge, Scott, Conrad, du Maurier, Unsworth, O'Brian, and others. All these cultural and literary 'fictions of the sea' are set in relation to wider issues relevant to maritime history and the historical experience of seafaring: problems of navigation and orientation, piracy, empire, colonialism, slavery, multi-ethnic shipboard communities, masculinity, gender relations. By combining the interests of three related but distinct areas of study-the analysis of sea fiction, critical maritime history, and cultural studies-in a focus upon the historical meaning of the sea in relation to its textual and cultural representation, Fictions of the Sea offers an original contribution to the practice of existing disciplines. |
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Pagina 69
... America · From a late 20th - century , postcolonially inflected perspective , Satan's ocean voyage is read very differently again ; the 18th - century glories of discovery and discussions about foreign trade are erased and replaced by a ...
... America · From a late 20th - century , postcolonially inflected perspective , Satan's ocean voyage is read very differently again ; the 18th - century glories of discovery and discussions about foreign trade are erased and replaced by a ...
Pagina 70
... America incomprehensible to him . The novel's first sentence , ' Come on board , friend Menippus , and float in the Tartarean air ' initiates an interior - monologue dream vision that rewrites the opening scene of book 1 of Paradise ...
... America incomprehensible to him . The novel's first sentence , ' Come on board , friend Menippus , and float in the Tartarean air ' initiates an interior - monologue dream vision that rewrites the opening scene of book 1 of Paradise ...
Pagina 202
... America : Overcoming Denial and Discov- ering the Gulag ' , Carla Gardina Pestana and Sharon V. Salinger ( eds ) , Inequality in Early America ( Hanover : University Press of New England , 1999 ) , 222-39 . Eltis et al ...
... America : Overcoming Denial and Discov- ering the Gulag ' , Carla Gardina Pestana and Sharon V. Salinger ( eds ) , Inequality in Early America ( Hanover : University Press of New England , 1999 ) , 222-39 . Eltis et al ...
Inhoudsopgave
Who Owns the Sea? | 13 |
Orientation as a Paradigm of Maritime Modernity | 28 |
Satans Ocean Voyage and 18thCentury Seafaring | 49 |
Copyright | |
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Overige edities - Alles bekijken
Fictions of the Sea: Critical Perspectives on the Ocean in British ... Bernhard Klein Gedeeltelijke weergave - 2017 |
Fictions of the Sea: Critical Perspectives on the Ocean in British ... Bernhard Klein Geen voorbeeld beschikbaar - 2016 |
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