Fictions of the Sea: Critical Perspectives on the Ocean in British Literature and CultureBernhard Klein Ashgate, 2002 - 237 pagina's This timely collection brings together twelve original essays on the cultural meaning of the sea in British literature and history, from early modern times to the present. Interdisciplinary in conception, it charts metaphorical and material links between the idea of the sea in the cultural imagination and its significance for the social and political history of Britain, offering a fresh analysis of the impact of the ocean on the formation of British cultural identities. Among the cultural and literary artifacts considered are early modern legal treatises on marine boundaries, Renaissance and Romantic poetry, 19th- and 20th-century novels, popular sea songs, recent Hollywood films, as well as a diverse range of historical and critical writings. Writers discussed include Shakespeare, Milton, Coleridge, Scott, Conrad, du Maurier, Unsworth, O'Brian, and others. All these cultural and literary 'fictions of the sea' are set in relation to wider issues relevant to maritime history and the historical experience of seafaring: problems of navigation and orientation, piracy, empire, colonialism, slavery, multi-ethnic shipboard communities, masculinity, gender relations. By combining the interests of three related but distinct areas of study-the analysis of sea fiction, critical maritime history, and cultural studies-in a focus upon the historical meaning of the sea in relation to its textual and cultural representation, Fictions of the Sea offers an original contribution to the practice of existing disciplines. |
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Pagina 58
... island of Ormus guaranteed to its possessor control of the seaway be- tween Persia and India : ' [ the Portuguese ] fortifications at Ormus dominated the narrow strait that forms the only entrance to the Persian Gulf , and their ...
... island of Ormus guaranteed to its possessor control of the seaway be- tween Persia and India : ' [ the Portuguese ] fortifications at Ormus dominated the narrow strait that forms the only entrance to the Persian Gulf , and their ...
Pagina 135
... island I was gazing at was England's Salamis.35 This passage illustrates the fundamental problem Froude must face in his attempt to historicize the Caribbean Sea . The fine rhetorical phrase ' England's Salamis ' , a condensation of ...
... island I was gazing at was England's Salamis.35 This passage illustrates the fundamental problem Froude must face in his attempt to historicize the Caribbean Sea . The fine rhetorical phrase ' England's Salamis ' , a condensation of ...
Pagina 213
... island is read poetry , paint , dance , ( make ) love and , why not , play football . Inevitably , any sense of time is lost : ' like in the Odyssey ... We're staying in the island of oblivion . ' Allusions to the Odys- sey abound ...
... island is read poetry , paint , dance , ( make ) love and , why not , play football . Inevitably , any sense of time is lost : ' like in the Odyssey ... We're staying in the island of oblivion . ' Allusions to the Odys- sey abound ...
Inhoudsopgave
Who Owns the Sea? | 13 |
Orientation as a Paradigm of Maritime Modernity | 28 |
Satans Ocean Voyage and 18thCentury Seafaring | 49 |
Copyright | |
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Overige edities - Alles bekijken
Fictions of the Sea: Critical Perspectives on the Ocean in British ... Bernhard Klein Gedeeltelijke weergave - 2017 |
Fictions of the Sea: Critical Perspectives on the Ocean in British ... Bernhard Klein Geen voorbeeld beschikbaar - 2016 |
Veelvoorkomende woorden en zinsdelen
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