Fictions of the Sea: Critical Perspectives on the Ocean in British Literature and CultureBernhard Klein Ashgate, 2002 - 237 pagina's This timely collection brings together twelve original essays on the cultural meaning of the sea in British literature and history, from early modern times to the present. Interdisciplinary in conception, it charts metaphorical and material links between the idea of the sea in the cultural imagination and its significance for the social and political history of Britain, offering a fresh analysis of the impact of the ocean on the formation of British cultural identities. Among the cultural and literary artifacts considered are early modern legal treatises on marine boundaries, Renaissance and Romantic poetry, 19th- and 20th-century novels, popular sea songs, recent Hollywood films, as well as a diverse range of historical and critical writings. Writers discussed include Shakespeare, Milton, Coleridge, Scott, Conrad, du Maurier, Unsworth, O'Brian, and others. All these cultural and literary 'fictions of the sea' are set in relation to wider issues relevant to maritime history and the historical experience of seafaring: problems of navigation and orientation, piracy, empire, colonialism, slavery, multi-ethnic shipboard communities, masculinity, gender relations. By combining the interests of three related but distinct areas of study-the analysis of sea fiction, critical maritime history, and cultural studies-in a focus upon the historical meaning of the sea in relation to its textual and cultural representation, Fictions of the Sea offers an original contribution to the practice of existing disciplines. |
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Pagina 7
... novel The Pirate ( 1821 ) as a text deeply implicated in the colonial imagination of its historical moment . The novel opens on the Shetland and Orkney Islands , at the time colonies of the Scottish mainland , where Scott's characters ...
... novel The Pirate ( 1821 ) as a text deeply implicated in the colonial imagination of its historical moment . The novel opens on the Shetland and Orkney Islands , at the time colonies of the Scottish mainland , where Scott's characters ...
Pagina 70
... novel's postcolonial perspective on the European exile alienated in an America incomprehensible to him . The novel's first sentence , ' Come on board , friend Menippus , and float in the Tartarean air ' initiates an interior - monologue ...
... novel's postcolonial perspective on the European exile alienated in an America incomprehensible to him . The novel's first sentence , ' Come on board , friend Menippus , and float in the Tartarean air ' initiates an interior - monologue ...
Pagina 101
... novel because it focuses primarily on the pirate's shoreside relationships , rather than his shipboard experiences . See Thomas Philbrick , James Fenimore Cooper and the Development of American Sea Fiction ( Cambridge , MA : Harvard ...
... novel because it focuses primarily on the pirate's shoreside relationships , rather than his shipboard experiences . See Thomas Philbrick , James Fenimore Cooper and the Development of American Sea Fiction ( Cambridge , MA : Harvard ...
Inhoudsopgave
Who Owns the Sea? | 13 |
Orientation as a Paradigm of Maritime Modernity | 28 |
Satans Ocean Voyage and 18thCentury Seafaring | 49 |
Copyright | |
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Overige edities - Alles bekijken
Fictions of the Sea: Critical Perspectives on the Ocean in British ... Bernhard Klein Gedeeltelijke weergave - 2017 |
Fictions of the Sea: Critical Perspectives on the Ocean in British ... Bernhard Klein Geen voorbeeld beschikbaar - 2016 |
Veelvoorkomende woorden en zinsdelen
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