Real Sex Films: The New Intimacy and Risk in CinemaOxford University Press, 3 okt 2017 - 336 pagina's Real Sex Films explores one of the most controversial movements in international cinema through an innovative interdisciplinary combination of theories of globalization and embodiment. Risk sociology, feminist film theory, and critical feminist mapping theory are brought together with concepts of production, narrative, genre, authorship, stardom, spectatorship, and social audience as several lenses of understanding and extension in ways of seeing real-sex cinema. Notions of personal subjectivity and critical distance, disciplinary co-operation and critique, and cinematic perceptions of the utopia and dystopia of love within risk modernity are the tensions exposed reflexively and in parallel, as each chapter focuses different lenses communicating intimacy, desire, risk and transgression. This book substantively, methodologically, and theoretically embraces and engages in its consideration of the images, ethics, double standards, and embodiments of brutal cinema. Crossing the boundaries of film studies, media and cultural studies, the ethnographic turn, risk sociology, feminist psychoanalytical, and geopolitical studies, this is a book for students, academics, as well as general and professional audiences. |
Inhoudsopgave
The Film | 1 |
Sexuality and Risk in Modernity | 27 |
3 Intimacy and Romance in Film Theory | 53 |
Approaching Social Audience Analysis | 73 |
Intertextual Dialogue | 111 |
French Corporeal Cinema | 139 |
Loneliness and Fun in 9 Songs and Shortbus | 165 |
Narrative in Ken Park and Irréversible | 175 |
9 Intimacies and Addictions in Le Secret | 229 |
Authorship Performance and Obscenity in The Piano Teacher | 257 |
11 Desire Intimacy Transgression and the Gaze in the Work of Andrea Arnold and Lynne Ramsay | 291 |
Conclusion | 313 |
323 | |
331 | |
333 | |
Trust Mistrust and the Double Standards of Love | 197 |
Overige edities - Alles bekijken
Real Sex Films: The New Intimacy and Risk in Cinema John Tulloch,Belinda Middleweek Gedeeltelijke weergave - 2017 |
Real Sex Films: The New Intimacy and Risk in Cinema John Tulloch,Belinda Middleweek Gedeeltelijke weergave - 2017 |
Real Sex Films: The New Intimacy and Risk in Cinema John Tulloch,Belinda Middleweek Geen voorbeeld beschikbaar - 2017 |
Veelvoorkomende woorden en zinsdelen
actors addiction Adèle Adèle’s analysis Andy argues Beck and Beck-Gernsheim Beck’s body camera Catharine chaos of love chapter characters Charlotte Gainsbourg Claire Claire’s close-up confluent love context desire director discussion Emma Emma’s emotional Erika experience explore feel female feminist film’s filmmakers focus group François French fuck gaze gender Giddens Giddens’s Haneke Haneke’s Huppert interview Irréversible Isabelle Huppert Jay’s Jelinek Katia Ken Park Kerry Fox Krzywinska Lars von Trier lesbian Linklater looking Lynne Ramsay male Marie Marie’s Michael Haneke mother movie naked narrative negotiation Nymph()maniac Palmer performance Piano Teacher DVD play pleasure porn real sex cinema real sex films reflexive relationship response risk modernity risk society risk sociology Romance romantic love says sequence sex scenes sexual scene Shortbus shot Skarsgård social audience Stellan Skarsgård talk tells theory there’s tion transformation of intimacy Trouble Every Day Tulloch and Lupton Twentynine Palms visual Warmest Colour woman women