Theatre and Drama in the Making: From antiquity through the eighteenth centuryHoughton Mifflin, 1964 |
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Pagina 64
... chorus . Indeed , as we have seen , tragedy undoubtedly developed from a choral song , the dithyramb . In the sixth century , at the time of Thespis , the number of chorus members in tragedy was apparently fifty . This number was ...
... chorus . Indeed , as we have seen , tragedy undoubtedly developed from a choral song , the dithyramb . In the sixth century , at the time of Thespis , the number of chorus members in tragedy was apparently fifty . This number was ...
Pagina 65
... chorus serve ? First of all , the chorus provides a sense of community involvement in the issue of the action . This , it might be noted , is one of the distinctive features of ancient drama . In most modern plays , the fate of the hero ...
... chorus serve ? First of all , the chorus provides a sense of community involvement in the issue of the action . This , it might be noted , is one of the distinctive features of ancient drama . In most modern plays , the fate of the hero ...
Pagina 80
... chorus leader alone . Thus , though a sharp distinction was drawn between actors and chorus , the former being furnished by the state and the latter by private means yet the coryphaeus served as a bond of connection between the two . We ...
... chorus leader alone . Thus , though a sharp distinction was drawn between actors and chorus , the former being furnished by the state and the latter by private means yet the coryphaeus served as a bond of connection between the two . We ...
Inhoudsopgave
The Origin of Tragedy | 3 |
Theory and Criticism of Tragedy 22235 | 21 |
HORACE from The Art of Poetry | 41 |
Copyright | |
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Abraham action actors Adrastus Aegisthus Aeschylus Agamemnon ancient appear Aristophanes Aristotle Athenians Athens Atreus audience Ben Jonson Caesar called Captain century character child chorus Clytemnestra comedy comic Cordatus Corneille costumes criticism dance death Dionysiac Dionysus Disdemona dithyramb dramatist Elizabethan England English Ensign Euripides example father fear French give Greek hand hath Heaven Herod husband imitation Isaac Jonson kill kind King lady London Lord Macbeth manner masque means Melians Menander modern Molière Moor moral murder nature neoclassical never Oedipus Orestes Othello passion PEDROLINO Peisistratus performed persons pity Plautus play Playhouse playwrights pleasure plot poet Poetics poetry present queen reason Roman scene serious drama Shakespeare Sophocles speak spectators spirit stage style Terence theatre thee Thespis things thou Thyestes tion tragedy tragic truth unity unto verse virtue wife women words write