Theatre and Drama in the Making: From antiquity through the eighteenth centuryHoughton Mifflin, 1964 |
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Pagina 80
... seen how the first actor was developed from the chorus leader ; doubtless the successive additions to the number of actors were sug- gested in each case by the advantages arising from this quasi- histrionic function of the coryphaeus ...
... seen how the first actor was developed from the chorus leader ; doubtless the successive additions to the number of actors were sug- gested in each case by the advantages arising from this quasi- histrionic function of the coryphaeus ...
Pagina 301
... seen in print prose comedies of his so lowly that he introduces into them the doings of mechanics and the love of the daughter of a smith ; whence there has remained the custom of calling the old comedies entremeses , 3 where the art ...
... seen in print prose comedies of his so lowly that he introduces into them the doings of mechanics and the love of the daughter of a smith ; whence there has remained the custom of calling the old comedies entremeses , 3 where the art ...
Pagina 446
... seen it acted : It must be remembred , says he , that a Play is to be seen , and is made to be represented with the Advantage of Actors , nor can appear but with half the Spirit without it . Now there have been several Plays writ in ...
... seen it acted : It must be remembred , says he , that a Play is to be seen , and is made to be represented with the Advantage of Actors , nor can appear but with half the Spirit without it . Now there have been several Plays writ in ...
Inhoudsopgave
The Origin of Tragedy | 3 |
Theory and Criticism of Tragedy 22235 | 21 |
HORACE from The Art of Poetry | 41 |
Copyright | |
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Abraham action actors Adrastus Aegisthus Aeschylus Agamemnon ancient appear Aristophanes Aristotle Athenians Athens Atreus audience Ben Jonson Caesar called Captain century character child chorus Clytemnestra comedy comic Cordatus Corneille costumes criticism dance death Dionysiac Dionysus Disdemona dithyramb dramatist Elizabethan England English Ensign Euripides example father fear French give Greek hand hath Heaven Herod husband imitation Isaac Jonson kill kind King lady London Lord Macbeth manner masque means Melians Menander modern Molière Moor moral murder nature neoclassical never Oedipus Orestes Othello passion PEDROLINO Peisistratus performed persons pity Plautus play Playhouse playwrights pleasure plot poet Poetics poetry present queen reason Roman scene serious drama Shakespeare Sophocles speak spectators spirit stage style Terence theatre thee Thespis things thou Thyestes tion tragedy tragic truth unity unto verse virtue wife women words write