Theatre and Drama in the Making: From antiquity through the eighteenth centuryHoughton Mifflin, 1964 |
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Pagina 14
... tragic poets took their themes not from the Dionysiac cycle but from the epic tradition or even from contemporary history . Diony- sus was himself something of an artist and he enjoyed especially the more dramatic arts . As it happens ...
... tragic poets took their themes not from the Dionysiac cycle but from the epic tradition or even from contemporary history . Diony- sus was himself something of an artist and he enjoyed especially the more dramatic arts . As it happens ...
Pagina 30
... tragic imitation . It follows plainly , in the first place , that the change of for- tune presented must not be the spectacle of a virtuous man brought from prosperity to adversity : for this moves neither pity nor fear ; it merely ...
... tragic imitation . It follows plainly , in the first place , that the change of for- tune presented must not be the spectacle of a virtuous man brought from prosperity to adversity : for this moves neither pity nor fear ; it merely ...
Pagina 54
... tragic poets to deal directly with a contemporary or near - contemporary situa- tion . Only one of the thirty - two surviving tragedies describes an event which had occurred within the recent memory of its audi- ence . That play is The ...
... tragic poets to deal directly with a contemporary or near - contemporary situa- tion . Only one of the thirty - two surviving tragedies describes an event which had occurred within the recent memory of its audi- ence . That play is The ...
Inhoudsopgave
The Origin of Tragedy | 3 |
Theory and Criticism of Tragedy 22235 | 21 |
HORACE from The Art of Poetry | 41 |
Copyright | |
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Abraham action actors Adrastus Aegisthus Aeschylus Agamemnon ancient appear Aristophanes Aristotle Athenians Athens Atreus audience Ben Jonson Caesar called Captain century character child chorus Clytemnestra comedy comic Cordatus Corneille costumes criticism dance death Dionysiac Dionysus Disdemona dithyramb dramatist Elizabethan England English Ensign Euripides example father fear French give Greek hand hath Heaven Herod husband imitation Isaac Jonson kill kind King lady London Lord Macbeth manner masque means Melians Menander modern Molière Moor moral murder nature neoclassical never Oedipus Orestes Othello passion PEDROLINO Peisistratus performed persons pity Plautus play Playhouse playwrights pleasure plot poet Poetics poetry present queen reason Roman scene serious drama Shakespeare Sophocles speak spectators spirit stage style Terence theatre thee Thespis things thou Thyestes tion tragedy tragic truth unity unto verse virtue wife women words write