Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina v
André Breton. Ummú 41448510 art 10128102 Note orf dea 39 ~ In 1928 there appeared , under the imprint of the N.R.F. , an essay by André Breton entitled Le Surréalisme et la peinture which produced immediate repercussions that were to ...
André Breton. Ummú 41448510 art 10128102 Note orf dea 39 ~ In 1928 there appeared , under the imprint of the N.R.F. , an essay by André Breton entitled Le Surréalisme et la peinture which produced immediate repercussions that were to ...
Pagina xxiii
André Breton. means - far from it . Few if any of these works were acquired at full value . Like many of his contemporaries , Breton took advantage of rare opportunities such as the enforced Kahnweiler sell - offs of 1921 , at which he ...
André Breton. means - far from it . Few if any of these works were acquired at full value . Like many of his contemporaries , Breton took advantage of rare opportunities such as the enforced Kahnweiler sell - offs of 1921 , at which he ...
Pagina 356
André Breton. FILIGER Charles Filiger : Breton Landscape . c . 1890 . CONCERNING SYMBOLISM — If the present times offer any kind.
André Breton. FILIGER Charles Filiger : Breton Landscape . c . 1890 . CONCERNING SYMBOLISM — If the present times offer any kind.
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Marcel Duchamp Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought turn vision whole woman York Yves