Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina xi
... Giorgio de Chirico : Mystery and Melancholy of a Street . 1914. Coll . Stanley Resor , New Canaan , Connecticut . Photo Sunami . 15 Giorgio de Chirico : Ariadne . 1913. Coll . Jean Paulhan , Paris . 16 Giorgio de Chirico : The ...
... Giorgio de Chirico : Mystery and Melancholy of a Street . 1914. Coll . Stanley Resor , New Canaan , Connecticut . Photo Sunami . 15 Giorgio de Chirico : Ariadne . 1913. Coll . Jean Paulhan , Paris . 16 Giorgio de Chirico : The ...
Pagina 16
André Breton. FERRAR Giorgio de Chirico : The Amusements of a Young Girl . 1916 . throwing down of an eternal gauntlet can persuade us that such an adventure has come to an end . Chirico , in continuing to paint , has for the past ten ...
André Breton. FERRAR Giorgio de Chirico : The Amusements of a Young Girl . 1916 . throwing down of an eternal gauntlet can persuade us that such an adventure has come to an end . Chirico , in continuing to paint , has for the past ten ...
Pagina 60
... Giorgio de Chirico : The Evil Genius of. Kurt Schwitters : Forms in Space . 1920 . less benevolent character . Total disrespect and a ruthless denial of established values were the order of the day : the objective was nothing less than a ...
... Giorgio de Chirico : The Evil Genius of. Kurt Schwitters : Forms in Space . 1920 . less benevolent character . Total disrespect and a ruthless denial of established values were the order of the day : the objective was nothing less than a ...
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect attitude Bachelors beautiful become bird Braque Bride Stripped century Chirico colour considered Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Jean Joan Miró Kandinsky Lautréamont less light Marcel Duchamp Matisse Matta Max Ernst means mental mind movement mysterious nature never night objects Pablo Picasso painters Paris perfectly Photo Ségalat picture Pierre plastic poets possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture sense shadow simply surrealism Surrealism and Painting surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy