Surrealism and PaintingOriginally published in 1928, Surrealism and Painting is the most important statement ever written on surrealist art, and the only book on the subject composed by the movement's founder and prime theorist. It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism. |
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Pagina 5
... in terms of his artistic production , some time between Factory , Horta del Ebro and Portrait of M. Kahnweiler . ... in reducing such an adventure in my eyes to the proportions of a mere news item or localized artistic phenomenon .
... in terms of his artistic production , some time between Factory , Horta del Ebro and Portrait of M. Kahnweiler . ... in reducing such an adventure in my eyes to the proportions of a mere news item or localized artistic phenomenon .
Pagina 87
... by the novelty of the subject ; lastly , the repetition , within the compass of human existence , of the pursuit of some particular artistic ' ideal demanding a constant involvement which precludes any other form of action .
... by the novelty of the subject ; lastly , the repetition , within the compass of human existence , of the pursuit of some particular artistic ' ideal demanding a constant involvement which precludes any other form of action .
Pagina 109
Brushing aside everything which generally forms the object of artistic delight and vanity , Picasso has gone out of his way to seek out the perishable and the ephemeral for their own sake . The twenty years that have passed in front of ...
Brushing aside everything which generally forms the object of artistic delight and vanity , Picasso has gone out of his way to seek out the perishable and the ephemeral for their own sake . The twenty years that have passed in front of ...
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