Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 105
... aspect , is likely to make a contribution to human happiness . In any case , the criterion of taste would show itself to be of pathetically little help if applied to the artistic output of Picasso , whose pictures have possessed an ...
... aspect , is likely to make a contribution to human happiness . In any case , the criterion of taste would show itself to be of pathetically little help if applied to the artistic output of Picasso , whose pictures have possessed an ...
Pagina 286
... aspects of nature surrounding him which are essential and those which are accidental , he is supremely capable of inducing ... aspect of the objects he represents which might constitute their individual unity externally . This entirely ...
... aspects of nature surrounding him which are essential and those which are accidental , he is supremely capable of inducing ... aspect of the objects he represents which might constitute their individual unity externally . This entirely ...
Pagina 327
... aspect of these medallions should have continued to meet such antagonism . Only an exceptionally deep - rooted and relentless interdiction can explain the following lines by Georges Bataille in the first issue of his review Documents ...
... aspect of these medallions should have continued to meet such antagonism . Only an exceptionally deep - rooted and relentless interdiction can explain the following lines by Georges Bataille in the first issue of his review Documents ...
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect attitude Bachelors beautiful become bird Braque Bride Stripped century Chirico colour considered Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Jean Joan Miró Kandinsky Lautréamont less light Marcel Duchamp Matisse Matta Max Ernst means mental mind movement mysterious nature never night objects Pablo Picasso painters Paris perfectly Photo Ségalat picture Pierre plastic poets possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture sense shadow simply surrealism Surrealism and Painting surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy