Surrealism and PaintingOriginally published in 1928, Surrealism and Painting is the most important statement ever written on surrealist art, and the only book on the subject composed by the movement's founder and prime theorist. It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism. |
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Pagina 33
Indeed I would consider it fruitless to attempt to divide his artistic production into
photographic portraits , photographs inappropriately called ' abstract , and
pictorial works properly so called . I know only too well that these three kinds of ...
Indeed I would consider it fruitless to attempt to divide his artistic production into
photographic portraits , photographs inappropriately called ' abstract , and
pictorial works properly so called . I know only too well that these three kinds of ...
Pagina 280
... extremely bold interpretations ( Max Ernst ' s ' interpreted found objects ' ) ; and
, finally , creating it from nothing by bringing together disparate elements selected
arbitrarily from the immediate data ( the surrealist object , properly so called ) .
... extremely bold interpretations ( Max Ernst ' s ' interpreted found objects ' ) ; and
, finally , creating it from nothing by bringing together disparate elements selected
arbitrarily from the immediate data ( the surrealist object , properly so called ) .
Pagina 315
Gaston Ferdičre , speaking just recently at the Amsterdam Psychiatric
Conference , began by prefacing his speech with two epigraphs , the first from
Edgar Allan Poe : “ Men have called me mad , but science has not yet decided
whether ...
Gaston Ferdičre , speaking just recently at the Amsterdam Psychiatric
Conference , began by prefacing his speech with two epigraphs , the first from
Edgar Allan Poe : “ Men have called me mad , but science has not yet decided
whether ...
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Matta Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed sculpture seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought vision whole woman York Yves
Bibliografische gegevens
| Titel | Surrealism and Painting Art works |
| Auteurs | André Breton, Mark Polizzotti |
| vertaald door | Simon Watson Taylor |
| Bijdrager | Mark Polizzotti |
| Editie | herdruk |
| Uitgever | MFA Pub., 2002 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 14 nov 2007 |
| ISBN | 0878466282, 9780878466283 |
| Lengte | 415 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |