Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina v
... considered not so much a re - issue as an original event . There has been no lack of ' historical ' studies of surrealist painting during these last few years . Their perspective , however , is entirely different , since their authors ...
... considered not so much a re - issue as an original event . There has been no lack of ' historical ' studies of surrealist painting during these last few years . Their perspective , however , is entirely different , since their authors ...
Pagina 22
... considered in terms of a game . According to Derain - and it would be difficult to estimate the relative proportions of inno- cence and cynicism in his remarks the essential thing was to adopt an attitude by which one would not be duped ...
... considered in terms of a game . According to Derain - and it would be difficult to estimate the relative proportions of inno- cence and cynicism in his remarks the essential thing was to adopt an attitude by which one would not be duped ...
Pagina 109
... considered them , between himself and the world , as any- thing other than moments of intercession . Brushing aside every- thing which generally forms the object of artistic delight and vanity , Picasso has gone out of his way to seek ...
... considered them , between himself and the world , as any- thing other than moments of intercession . Brushing aside every- thing which generally forms the object of artistic delight and vanity , Picasso has gone out of his way to seek ...
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