Surrealism and PaintingOriginally published in 1928, Surrealism and Painting is the most important statement ever written on surrealist art, and the only book on the subject composed by the movement's founder and prime theorist. It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism. |
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Pagina v
... the pages of magazines or exhibition catalogues , have been brought together
here in large enough numbers to allow this new presentation of Le Surréalisme
et la peinture to be considered not so much a re - issue as an original event .
... the pages of magazines or exhibition catalogues , have been brought together
here in large enough numbers to allow this new presentation of Le Surréalisme
et la peinture to be considered not so much a re - issue as an original event .
Pagina 59
... primitive means and so be in a position to overthrow the tyrannical and
decadent elements in the realm of vision . With futurism , the model ( still exterior )
liberated itself from the conditions under which it had always been considered (
that is ...
... primitive means and so be in a position to overthrow the tyrannical and
decadent elements in the realm of vision . With futurism , the model ( still exterior )
liberated itself from the conditions under which it had always been considered (
that is ...
Pagina 109
state of defence with regard to these external things , including those things
which he had extracted from his own self , he has never considered them ,
between himself and the world , as anything other than moments of intercession .
Brushing ...
state of defence with regard to these external things , including those things
which he had extracted from his own self , he has never considered them ,
between himself and the world , as anything other than moments of intercession .
Brushing ...
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Matta Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed sculpture seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought vision whole woman York Yves
Bibliografische gegevens
| Titel | Surrealism and Painting Art works Icon editions, IN-24 |
| Auteur | André Breton |
| vertaald door | Simon Watson Taylor |
| Bijdrager | Mark Polizzotti |
| Editie | herdruk |
| Uitgever | MFA Pub., 2002 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 14 nov 2007 |
| ISBN | 0878466282, 9780878466283 |
| Lengte | 415 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |