Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 13
... dream of exchanging for his own . The mice and rats that contemplate him cannot make up their minds whether or not he is worth a nibble . I saw a recent self - portrait by him not long ago : his head is sagging rather more noticeably on ...
... dream of exchanging for his own . The mice and rats that contemplate him cannot make up their minds whether or not he is worth a nibble . I saw a recent self - portrait by him not long ago : his head is sagging rather more noticeably on ...
Pagina 18
... Dream never received such a ridiculous title from me and I wonder what motivation underlies the renaming of pictures which I alone had the right to denominate . ' This viper's voice continues to rise dolefully from under the stones that ...
... Dream never received such a ridiculous title from me and I wonder what motivation underlies the renaming of pictures which I alone had the right to denominate . ' This viper's voice continues to rise dolefully from under the stones that ...
Pagina 26
... dream , which is a dream of mediation . The hateful separation of some of the parts is one more reason why we are determined to stake everything we possess . It is this , perhaps , that , for Max Ernst , provides the possibility of ...
... dream , which is a dream of mediation . The hateful separation of some of the parts is one more reason why we are determined to stake everything we possess . It is this , perhaps , that , for Max Ernst , provides the possibility of ...
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Marcel Duchamp Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought turn vision whole woman York Yves