Surrealism and PaintingOriginally published in 1928, Surrealism and Painting is the most important statement ever written on surrealist art, and the only book on the subject composed by the movement's founder and prime theorist. It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism. |
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Pagina 46
There is only , physically speaking , our immense suspicion which surrounds everything . Figures of our suspicion , beautiful , pitiful shadows prowling round our cave : we know that you are shadows . The powerful subjective light that ...
There is only , physically speaking , our immense suspicion which surrounds everything . Figures of our suspicion , beautiful , pitiful shadows prowling round our cave : we know that you are shadows . The powerful subjective light that ...
Pagina 105
everything. that. he. has. achieved. the. impossible by becoming the spider which is about to turn its attention from the spreadeagled flies to the design and substance of its web polygon , the migratory bird in full flight that will ...
everything. that. he. has. achieved. the. impossible by becoming the spider which is about to turn its attention from the spreadeagled flies to the design and substance of its web polygon , the migratory bird in full flight that will ...
Pagina 128
... the black lakes , the heath's will - o ' - the - wisp , everything envisaged by Maeterlinck's and Jarry's first poems , the swirling heaps of sand , the head held eternally between the hands , the rocks whether caressed by dynamite ...
... the black lakes , the heath's will - o ' - the - wisp , everything envisaged by Maeterlinck's and Jarry's first poems , the swirling heaps of sand , the head held eternally between the hands , the rocks whether caressed by dynamite ...
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream Duchamp elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Matta Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought vision whole woman York Yves
Bibliografische gegevens
| Titel | Surrealism and Painting Art works |
| Auteurs | André Breton, Mark Polizzotti |
| vertaald door | Simon Watson Taylor |
| Bijdrager | Mark Polizzotti |
| Editie | herdruk |
| Uitgever | MFA Pub., 2002 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 14 nov 2007 |
| ISBN | 0878466282, 9780878466283 |
| Lengte | 415 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |