Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 4
... external world , or , less dogmatically , that the model could legitimately be selected from that world . Certainly human sensibility is capable of conferring an entirely unforeseen distinction upon even the most vulgar - looking object ...
... external world , or , less dogmatically , that the model could legitimately be selected from that world . Certainly human sensibility is capable of conferring an entirely unforeseen distinction upon even the most vulgar - looking object ...
Pagina 108
... external things other external things in which the resistance of the inner being is both surrendered and enclosed ? In my view , Picasso is so great simply because having found himself , as a result , constantly in a hands , these ...
... external things other external things in which the resistance of the inner being is both surrendered and enclosed ? In my view , Picasso is so great simply because having found himself , as a result , constantly in a hands , these ...
Pagina 190
... external and not a movement of the external on the surface . ' To express the world's laceration , one must have known the whole laceration within the confines of one's own self . And to give the world , beyond this laceration , some ...
... external and not a movement of the external on the surface . ' To express the world's laceration , one must have known the whole laceration within the confines of one's own self . And to give the world , beyond this laceration , some ...
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Marcel Duchamp Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought turn vision whole woman York Yves