Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 3
... finally lost all hope of enlarging to huge proportions the hitherto strictly limited field of action of the campaigns I have initiated , when my imagination recoils upon itself and serves only to coincide with my memory , then I will 3.
... finally lost all hope of enlarging to huge proportions the hitherto strictly limited field of action of the campaigns I have initiated , when my imagination recoils upon itself and serves only to coincide with my memory , then I will 3.
Pagina 72
... finally appear ' as itself , after eternity had wrought its final changes in it ' . From its original exteriority , the object in sculpture became increasingly self - denying in appearance as it traversed the two great crises of cubism ...
... finally appear ' as itself , after eternity had wrought its final changes in it ' . From its original exteriority , the object in sculpture became increasingly self - denying in appearance as it traversed the two great crises of cubism ...
Pagina 374
... Finally , the fact that Daumesnil was an invalid , combined with his steadfastness in adversity , were well calculated to arouse Rousseau's patriotic fervour , as we can judge from the title of a now lost painting : ' The Last Man of ...
... Finally , the fact that Daumesnil was an invalid , combined with his steadfastness in adversity , were well calculated to arouse Rousseau's patriotic fervour , as we can judge from the title of a now lost painting : ' The Last Man of ...
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