Surrealism and PaintingOriginally published in 1928, Surrealism and Painting is the most important statement ever written on surrealist art, and the only book on the subject composed by the movement's founder and prime theorist. It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism. |
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Pagina 76
The powers of the imagination can never be harnessed , and they resist all attempts to reduce them to mere advertising slogans . Whoever yields himself wholeheartedly to these powers very soon takes pride in things other than the little ...
The powers of the imagination can never be harnessed , and they resist all attempts to reduce them to mere advertising slogans . Whoever yields himself wholeheartedly to these powers very soon takes pride in things other than the little ...
Pagina 154
Lautréamont , and no imagination has offered them a more sympathetically attuned field of reaction . Yet his imagination is also absolved from these questions by virtue of the irresistible call of life which he is always striving to ...
Lautréamont , and no imagination has offered them a more sympathetically attuned field of reaction . Yet his imagination is also absolved from these questions by virtue of the irresistible call of life which he is always striving to ...
Pagina 402
onslaught of the imagination . Metaphor is as natural to the imagination as saliva is to the tongue . ' ' A fairly extensive interference fringe unites these two fields of speculation , and it is this fringe which René Magritte has set ...
onslaught of the imagination . Metaphor is as natural to the imagination as saliva is to the tongue . ' ' A fairly extensive interference fringe unites these two fields of speculation , and it is this fringe which René Magritte has set ...
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