Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 64
... immediately with an added plastic dimension through the hypnagogic image and the eidetic ( or aesthetic ) image , embodying the special character- istics attributed by the artist to the latter type of image , the formal analysis of ...
... immediately with an added plastic dimension through the hypnagogic image and the eidetic ( or aesthetic ) image , embodying the special character- istics attributed by the artist to the latter type of image , the formal analysis of ...
Pagina 101
... without its entire surroundings crumbling immediately into dust , without the Picasso's studio , 1933 . Pablo Picasso : Composition . 1933 . astonishing representations that 101 PABLO PICASSO: Picasso in his element (1933)
... without its entire surroundings crumbling immediately into dust , without the Picasso's studio , 1933 . Pablo Picasso : Composition . 1933 . astonishing representations that 101 PABLO PICASSO: Picasso in his element (1933)
Pagina 371
... immediately . The problem which had stumped me , that of the origin and significance of my own acquisition , was immediately resolved . The wooden frieze in question may confidently be identified as the ornamental design typical of ...
... immediately . The problem which had stumped me , that of the origin and significance of my own acquisition , was immediately resolved . The wooden frieze in question may confidently be identified as the ornamental design typical of ...
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Marcel Duchamp Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought turn vision whole woman York Yves