Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 111
... light , a manifestation which succeeds in measuring itself on the surface through colour ; but this same object , being deprived of the assistance of colour in terms of its volume , requires that such information be supplemented by the ...
... light , a manifestation which succeeds in measuring itself on the surface through colour ; but this same object , being deprived of the assistance of colour in terms of its volume , requires that such information be supplemented by the ...
Pagina 187
... light like Cézanne's apple but open to everything else as well , including the other opaque bodies ; they are constantly ready to blend together , and only from this fusion can be forged the key which is the only master - key to life ...
... light like Cézanne's apple but open to everything else as well , including the other opaque bodies ; they are constantly ready to blend together , and only from this fusion can be forged the key which is the only master - key to life ...
Pagina 198
... light , a light which surpasses even the special luminescence of certain mornings in New York and Naples , a light that suggests a lati- tude marvellously capable of reducing distances and setting off structures to their best advantage ...
... light , a light which surpasses even the special luminescence of certain mornings in New York and Naples , a light that suggests a lati- tude marvellously capable of reducing distances and setting off structures to their best advantage ...
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Marcel Duchamp Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought turn vision whole woman York Yves