Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 105
... living being may be assured the enjoyment of a resting - place , a weapon , a trap or a mirror . It was Picasso who ... living beings with reference to the outside world , has reached the point where it is capable at last of making the ...
... living being may be assured the enjoyment of a resting - place , a weapon , a trap or a mirror . It was Picasso who ... living beings with reference to the outside world , has reached the point where it is capable at last of making the ...
Pagina 112
... such queries , the lack of faith in the strength of the principles actuating a living man whose exploration of the territory of the tangible world is being undertaken in full consciousness and , as luck would have it , with. 112.
... such queries , the lack of faith in the strength of the principles actuating a living man whose exploration of the territory of the tangible world is being undertaken in full consciousness and , as luck would have it , with. 112.
Pagina 188
... living substance of works , such as those of Alfred Jarry and Marcel Duchamp , that bristle with difficulties but project their beams of light farther and more probingly than the others ; no one's eye has been more piercing than his in ...
... living substance of works , such as those of Alfred Jarry and Marcel Duchamp , that bristle with difficulties but project their beams of light farther and more probingly than the others ; no one's eye has been more piercing than his in ...
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Marcel Duchamp Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought turn vision whole woman York Yves