Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 111
... perfectly explicit since 1906 , when he first painted the women with their celebrated ' quarter - Brie noses ' , personages seen simultaneously full - face and in profile which have long been recognized as representing a realization ...
... perfectly explicit since 1906 , when he first painted the women with their celebrated ' quarter - Brie noses ' , personages seen simultaneously full - face and in profile which have long been recognized as representing a realization ...
Pagina 122
... perfectly permissible . The great cauldron rum- bles far away in its immemorial night and at each stroke of the gong which is really its lid rattling there slip through the narrow gap all manner of dubious beings and things which spread ...
... perfectly permissible . The great cauldron rum- bles far away in its immemorial night and at each stroke of the gong which is really its lid rattling there slip through the narrow gap all manner of dubious beings and things which spread ...
Pagina 352
... perfectly well aware that these rival denigrations are indistinguishable , originating in the same need to enslave man's creative capacities , and that there is no greater distance between these two groups which have attempted or still ...
... perfectly well aware that these rival denigrations are indistinguishable , originating in the same need to enslave man's creative capacities , and that there is no greater distance between these two groups which have attempted or still ...
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Marcel Duchamp Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought turn vision whole woman York Yves