Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 72
... play all the resources of a mind exacting enough to envisage each picture as the scene in which a new problem is to be resolved . Sculpture , during the course of these last thirty years , while the object was gradually achieving its ...
... play all the resources of a mind exacting enough to envisage each picture as the scene in which a new problem is to be resolved . Sculpture , during the course of these last thirty years , while the object was gradually achieving its ...
Pagina 180
... play with lock ' ( all that remains of a train ) . A joke : extraordinarily luxurious wallpapers in all the rooms . Memories : the nocturnal washerwoman , kneeling in half a wooden crate - she must absolutely be made to shut up . Next ...
... play with lock ' ( all that remains of a train ) . A joke : extraordinarily luxurious wallpapers in all the rooms . Memories : the nocturnal washerwoman , kneeling in half a wooden crate - she must absolutely be made to shut up . Next ...
Pagina 369
... play only when it is the heart rather than the mind which is alerted . Having originally described this concept of chance as being ' the manifest form of external necessity blazing a trail through humanity's collective unconscious ' , I ...
... play only when it is the heart rather than the mind which is alerted . Having originally described this concept of chance as being ' the manifest form of external necessity blazing a trail through humanity's collective unconscious ' , I ...
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect attitude Bachelors beautiful become bird Braque Bride Stripped century Chirico colour considered Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Jean Joan Miró Kandinsky Lautréamont less light Marcel Duchamp Matisse Matta Max Ernst means mental mind movement mysterious nature never night objects Pablo Picasso painters Paris perfectly Photo Ségalat picture Pierre plastic poets possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture sense shadow simply surrealism Surrealism and Painting surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy