Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 5
... poets had spoken of a country they had discovered where ' a drawing - room at the bottom of a lake ' had seemed the most natural thing in the world , but for us it was only a virtual image . What miracle has endowed this man , whom it ...
... poets had spoken of a country they had discovered where ' a drawing - room at the bottom of a lake ' had seemed the most natural thing in the world , but for us it was only a virtual image . What miracle has endowed this man , whom it ...
Pagina 63
... poets themselves owed a great deal to him Apollinaire , whom he inspired to write what is perhaps the freest poem of the century , ' A travers l'Europe ' ; the Cendrars of ' Prose du Transsibérien ' ; Mayakovsky's and Essenin's moods of ...
... poets themselves owed a great deal to him Apollinaire , whom he inspired to write what is perhaps the freest poem of the century , ' A travers l'Europe ' ; the Cendrars of ' Prose du Transsibérien ' ; Mayakovsky's and Essenin's moods of ...
Pagina 169
André Breton. WIFREDO LAM The long nostalgia of poets .. — The long nostalgia of poets , from the nineteenth century onwards , and the more concrete and insistent flattery of the painters of the twentieth century could not fail ...
André Breton. WIFREDO LAM The long nostalgia of poets .. — The long nostalgia of poets , from the nineteenth century onwards , and the more concrete and insistent flattery of the painters of the twentieth century could not fail ...
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Marcel Duchamp Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought turn vision whole woman York Yves