Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 26
... reason as a naked woman throwing her mirror into a well . There is no doubt that these elements , seized in this room , in the country , on the floor of a factory workshop , or in the sea , are not entirely at the mercy of the human ...
... reason as a naked woman throwing her mirror into a well . There is no doubt that these elements , seized in this room , in the country , on the floor of a factory workshop , or in the sea , are not entirely at the mercy of the human ...
Pagina 36
... reasons , do not stray far from home . Such people are entirely wrapped up in their small creative efforts ... reason why he could perhaps pass for the most ' surrealist ' of us all . But how far we are from this ' chemistry of ...
... reasons , do not stray far from home . Such people are entirely wrapped up in their small creative efforts ... reason why he could perhaps pass for the most ' surrealist ' of us all . But how far we are from this ' chemistry of ...
Pagina 122
... reason , this art could legitimately claim to possess the highest social value , because it would be perfectly capable on its own of compensating us on the social level for the presumptuousness of an art supposedly of revolutionary pro ...
... reason , this art could legitimately claim to possess the highest social value , because it would be perfectly capable on its own of compensating us on the social level for the presumptuousness of an art supposedly of revolutionary pro ...
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect attitude Bachelors beautiful become bird Braque Bride Stripped century Chirico colour considered Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Jean Joan Miró Kandinsky Lautréamont less light Marcel Duchamp Matisse Matta Max Ernst means mental mind movement mysterious nature never night objects Pablo Picasso painters Paris perfectly Photo Ségalat picture Pierre plastic poets possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture sense shadow simply surrealism Surrealism and Painting surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy