Surrealism and PaintingOriginally published in 1928, Surrealism and Painting is the most important statement ever written on surrealist art, and the only book on the subject composed by the movement's founder and prime theorist. It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism. |
Vanuit het boek
Resultaten 1-3 van 31
Pagina 128
In particular the use of undiluted ink excludes any surprises in terms of ' substance and limits the result to a contoured design which suffers from a certain monotony resulting from the Oscar Dominguez : Decalcomania .
In particular the use of undiluted ink excludes any surprises in terms of ' substance and limits the result to a contoured design which suffers from a certain monotony resulting from the Oscar Dominguez : Decalcomania .
Pagina 149
This will also result in a lithochronic surface . Let us imagine that the enveloping surface so produced is made of an elastic material , and let us displace the typewriter following a predetermined curve such as a logarithmic spiral ...
This will also result in a lithochronic surface . Let us imagine that the enveloping surface so produced is made of an elastic material , and let us displace the typewriter following a predetermined curve such as a logarithmic spiral ...
Pagina 312
Another aspect of his work is that the results of visual perception blend perfectly with the results of mental representation : for example , in a scene of conjuration which forms the theme of one of his paintings the serpent - god ...
Another aspect of his work is that the results of visual perception blend perfectly with the results of mental representation : for example , in a scene of conjuration which forms the theme of one of his paintings the serpent - god ...
Wat mensen zeggen - Een review schrijven
We hebben geen reviews gevonden op de gebruikelijke plaatsen.
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream Duchamp elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Matta Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought vision whole woman York Yves