Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 193
... sense , whereas with Matta , for example , and with surrealist painting in general , it is clear that in expressing the world various other senses - from the kinesthetic sense to the more or less vanished sense of divination - come into ...
... sense , whereas with Matta , for example , and with surrealist painting in general , it is clear that in expressing the world various other senses - from the kinesthetic sense to the more or less vanished sense of divination - come into ...
Pagina 279
... senses by things which mankind makes use of more from habit than necessity . Here , as elsewhere , the mad beast of convention must be hunted down . There are weapons at hand , since common sense cannot prevent the world of concrete ...
... senses by things which mankind makes use of more from habit than necessity . Here , as elsewhere , the mad beast of convention must be hunted down . There are weapons at hand , since common sense cannot prevent the world of concrete ...
Pagina 403
... senses and the ' absolute reality ' sought by the mind's imagination . These two alternating movements , designed to ... sense common to the greatest poets ' . 16 February 1964 . CAMACHO FACES THE JUNGLE A particular structure of amoeba -
... senses and the ' absolute reality ' sought by the mind's imagination . These two alternating movements , designed to ... sense common to the greatest poets ' . 16 February 1964 . CAMACHO FACES THE JUNGLE A particular structure of amoeba -
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Marcel Duchamp Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought turn vision whole woman York Yves