Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 5
... shadow the risk of failure is reduced by the fact that someone has managed to invest this shadow with all the charac- teristics of the prey , and repeats the process with this second Chemise of 1914 , and the still - life in. Pablo ...
... shadow the risk of failure is reduced by the fact that someone has managed to invest this shadow with all the charac- teristics of the prey , and repeats the process with this second Chemise of 1914 , and the still - life in. Pablo ...
Pagina 6
André Breton. JOUR Pablo Picasso : Woman in a Chemise . 1914 . shadow , this third shadow . . . We leave behind us the great grey beige ' scaffoldings ' of 1912 , the most perfect example of which is undoubtedly the fabulously elegant ...
André Breton. JOUR Pablo Picasso : Woman in a Chemise . 1914 . shadow , this third shadow . . . We leave behind us the great grey beige ' scaffoldings ' of 1912 , the most perfect example of which is undoubtedly the fabulously elegant ...
Pagina 111
... shadow and light , relations which should not be conditioned by an arbitrary assumption that the object is at rest an absurd assumption which would have us walk around the object in order to convince ourselves of its existence ...
... shadow and light , relations which should not be conditioned by an arbitrary assumption that the object is at rest an absurd assumption which would have us walk around the object in order to convince ourselves of its existence ...
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect attitude Bachelors beautiful become bird Braque Bride Stripped century Chirico colour considered Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Jean Joan Miró Kandinsky Lautréamont less light Marcel Duchamp Matisse Matta Max Ernst means mental mind movement mysterious nature never night objects Pablo Picasso painters Paris perfectly Photo Ségalat picture Pierre plastic poets possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture sense shadow simply surrealism Surrealism and Painting surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy