Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 7
... thought's happy shores – happy without knowing it , happy simply that shores should exist . Will you abandon me then , thought ? I am living , but in what era exactly ? The north coast of Australia was very probably discovered during ...
... thought's happy shores – happy without knowing it , happy simply that shores should exist . Will you abandon me then , thought ? I am living , but in what era exactly ? The north coast of Australia was very probably discovered during ...
Pagina 27
... thought supposes that the intentional confrontation on each of his canvases between previously dis- qualified ... thoughts like a fan , the head falling back on its hair as on a lace pillow , the fragile , weightless head teetering ...
... thought supposes that the intentional confrontation on each of his canvases between previously dis- qualified ... thoughts like a fan , the head falling back on its hair as on a lace pillow , the fragile , weightless head teetering ...
Pagina 46
... thought from life , or alternatively the strict domination of life by thought . What one hides is worth neither more nor less than what one finds . And what one hides from oneself is worth neither more nor less than what one allows ...
... thought from life , or alternatively the strict domination of life by thought . What one hides is worth neither more nor less than what one finds . And what one hides from oneself is worth neither more nor less than what one allows ...
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Marcel Duchamp Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought turn vision whole woman York Yves