Surrealism and PaintingMFA Pub., 2002 - 415 pagina's It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. |
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Pagina 28
... visions such as that recorded by René Guyon : ' I compared the appearance of the eyes of this terrible head to that of ... Vision Induced by a Piece of String I Found on my Table , upon the foundations of the illusions to which we are ex ...
... visions such as that recorded by René Guyon : ' I compared the appearance of the eyes of this terrible head to that of ... Vision Induced by a Piece of String I Found on my Table , upon the foundations of the illusions to which we are ex ...
Pagina 82
... vision of Kay Sage , over S. W. Hayter's sharp vision which records the most delicate ramifications of nerve structures , over Jacques Hérold's crystallographic vision . Automatism is the feather - light but sturdy craft - the canoe of ...
... vision of Kay Sage , over S. W. Hayter's sharp vision which records the most delicate ramifications of nerve structures , over Jacques Hérold's crystallographic vision . Automatism is the feather - light but sturdy craft - the canoe of ...
Pagina 265
... visions from continuing to cling to it . By nature , these visions in filigree compare themselves with those of all times , in return for which , from one backward movement to another , and so from one outline to another , they finally ...
... visions from continuing to cling to it . By nature , these visions in filigree compare themselves with those of all times , in return for which , from one backward movement to another , and so from one outline to another , they finally ...
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able achieved allow already André animal appearance artistic aspect beautiful become body Breton called century certain coins Coll collection colour complete concerned considered continue desire direction drawing dream elements entirely equally everything example exhibition existence expression eyes face fact feel field figures finally Galerie give glass hand head human idea imagination immediately important kind least less light limits living longer look Marcel Marcel Duchamp Max Ernst means mind Miró movement nature never night objects once original painters painting Paris particular pass period Photo Picasso picture play possible present pure question reason recently remains represented result revealed seems seen sense simply single space surrealism surrealist symbolic Tanguy things thought turn vision whole woman York Yves